Decoding Desire: From Kirk and Spock to K/S
| dc.contributor.author | Woledge, Elizabeth | * |
| dc.date.accessioned | 2009-07-01T09:17:19Z | |
| dc.date.available | 2009-07-01T09:17:19Z | |
| dc.date.issued | 2005-08 | |
| dc.identifier.citation | Social Semiotics, 2005, 15(2), pp. 235-250 | en |
| dc.identifier.issn | 1035-0330 | |
| dc.identifier.doi | 10.1080/10350330500154857 | |
| dc.identifier.uri | http://hdl.handle.net/10034/72093 | |
| dc.description | This article is not available through ChesterRep. | en |
| dc.description.abstract | This paper uses the example of 'slash fiction' (fan fiction which appropriates media heroes to form homoerotic pairings) to offer an investigation which broadens the concept of decoding. Slash fiction provides a particularly suitable starting point for considering the decoding process, as it is one of the few cases in which we have the evidence of decoding readily available for analysis in the form of fanzines. Many academics have considered Kirk and Spock's relationship as it was represented in Star Trek and the homoerotic 'K/S' fiction which it inspired, however no one has effectively considered the interpretive processes which connect them. The author questions the implicit belief that K/S fiction is an 'oppositional' decoding of Star Trek and demonstrate its more negotiated nature through a detailed consideration of the decoding process. To this end the author borrows an idea of David Morley's who has suggested that 'Hall's original model [of decoding] tends to blur together questions of recognition, comprehension, interpretation and response' (Morley 1994, 21). This paper will take up Morley's four process model of decoding and answer Jenkins' call for a closer analysis of the links between audience reception and texts (Jenkins 1996, 275). | |
| dc.language.iso | en | en |
| dc.publisher | Taylor & Francis | en |
| dc.relation.url | http://www.informaworld.com/smpp/title~content=t713446841~link=cover | en |
| dc.subject | slash fiction | en |
| dc.subject | Star Trek | en |
| dc.subject | interpretation | en |
| dc.title | Decoding Desire: From Kirk and Spock to K/S | en |
| dc.type | Article | en |
| dc.identifier.eissn | 1470-1219 | |
| dc.contributor.department | University of Chester | en |
| dc.identifier.journal | Social Semiotics | en |
| html.description.abstract | This paper uses the example of 'slash fiction' (fan fiction which appropriates media heroes to form homoerotic pairings) to offer an investigation which broadens the concept of decoding. Slash fiction provides a particularly suitable starting point for considering the decoding process, as it is one of the few cases in which we have the evidence of decoding readily available for analysis in the form of fanzines. Many academics have considered Kirk and Spock's relationship as it was represented in Star Trek and the homoerotic 'K/S' fiction which it inspired, however no one has effectively considered the interpretive processes which connect them. The author questions the implicit belief that K/S fiction is an 'oppositional' decoding of Star Trek and demonstrate its more negotiated nature through a detailed consideration of the decoding process. To this end the author borrows an idea of David Morley's who has suggested that 'Hall's original model [of decoding] tends to blur together questions of recognition, comprehension, interpretation and response' (Morley 1994, 21). This paper will take up Morley's four process model of decoding and answer Jenkins' call for a closer analysis of the links between audience reception and texts (Jenkins 1996, 275). |