A

dc.contributor.author	Duffett, Mark	*
dc.date.accessioned	2007-01-08T12:51:26Z
dc.date.available	2007-01-08T12:51:26Z
dc.date.issued	2004-12-01
dc.identifier.citation	Duffett, M. (2004). A "stange blooding in the ways of popular culture"? party at the palace as hegemonic project. Popular music and society, 27(4), 489-506. https://doi.org/10.1080/0300776042000264685
dc.identifier.issn	0300-7766
dc.identifier.doi	10.1080/0300776042000264685
dc.identifier.uri	http://hdl.handle.net/10034/6987
dc.description	This article is not available through ChesterRep	en
dc.description.abstract	This article discusses "Party at the Palace" - a pop concert from Buckingham Palace in 2002 and the relationship between politics, the monarchy, and pop music.
dc.language.iso	en	en
dc.publisher	Taylor & Francis
dc.relation.url	https://www.tandfonline.com/doi/abs/10.1080/0300776042000264685
dc.subject	pop music
dc.subject	political dimensions
dc.title	A "stange blooding in the ways of popular culture"? party at the palace as hegemonic project
dc.type	Article
dc.identifier.eissn	1740-1712
dc.format.dig	YES
dc.identifier.volume	27
dc.source.issue	4
dc.source.beginpage	489-506
html.description.abstract	This article discusses "Party at the Palace" - a pop concert from Buckingham Palace in 2002 and the relationship between politics, the monarchy, and pop music.

A "stange blooding in the ways of popular culture"? party at the palace as hegemonic project