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The Hidden Narratives of Medieval ArtTo modern readers and viewers, objects like the Arnolfini portrait or the Angers Apocalypse tapestry appear to be the product and preserve of an elite class of consumers in the Middle Ages. This chapter argues that our analyses of these objects should not focus exclusively, or even predominantly on elites. In addition, the essay gives a voice and a place to the workers behind art of the Middle Ages examining the economic uncertainty and instability of employment that underpinned their production. It considers entrepreneurs who saw medieval courts and elite customers as commercial opportunities to be exploited. It ends by examining elite users of these products to complicate the narratives of their consumption. Far from simply reflecting the power and status of their owners, objects like the Arnolfini portrait or the Apocalypse tapestry also conveyed the uncertainty of everyday life and the fragility of princely rule during the Middle Ages.