• Ian Seed Takes a Nap

      Chantler, Ashley; University of Chester (Department of English, University of Chester, 2015-12)
      Flash fiction.
    • Identity Papers

      Seed, Ian; University of Chester (Shearsman Books, 2016-02-19)
      The prose poems in Identity Papers seek to construct a living bridge between the self and its shadow, between the self and other, and between present and past. They do so with a vulnerable faith, working with Heidegger's dictum that all things must be allowed their time in darkness. Along the way, their narrators meet a series of disturbing, irresistible strangers. Identity Papers follows on from Makers of Empty Dreams (Shearsman, 2014). It is the second volume in a trilogy of prose poem collections.
    • In praise of paving

      Chantler, Ashley; University of Chester (The Alternative Press, 2003)
      Ashley Chantler's debut poetry collection. Contents: Part I: Walls, Pirouette, Storm in a Teashop, Secretions, Between Embarrassment and Desire, …giving…taking…over…in…, Lines, The Poet and the Ant, Until Death Them Do Part, Cut Off, Probing, Sketch for a Modern Love Poem, Fragment 1, Fragment 2, Fragment 3, Fragment 4, Fragment 5, Fragment 6, Free. Part II: Lost in the Fun House, Nine Crap Poets in a Lift, Gulf, Gulf (2), Judgements, The Unappreciated, The Bliss of Innocence, Bachelor, Bachelor (2), A Short Story about Borders, …giving…taking…over…in…, Will, Personal Helicon, In Praise of Paving. Reprinted in 2006.
    • Introduction

      Hay, Jonathan; Bonsall, Amy; Ashton, Bodie A.; University of Chester; University of Manchester; University of Adelaide
      Bodies occupy a paradoxical space in modern society. On the one hand, the body is the most obvious and visible medium used to represent and express ourselves and our identities. On the other hand, this importance also leaves the body open to being controlled, regulated and interpreted. The result of this uncomfortable balance is that body diversity remains at once embraced and vulnerable, and the expression of that diversity is encouraged by some, while also being the subject of the prejudice of others. This chapter acts as an introduction for nine interdisciplinary, international essays, each engaging with the theme of “the body”, broadly defined. It thus lays the groundwork for a volume in which the body not only speaks but is heard and listened to.
    • An Introduction to Ford Madox Ford

      Chantler, Ashley; Hawkes, Rob; University of Chester. University of Teesside (Ashgate, 2015-12-04)
      For students and readers new to the work of Ford Madox Ford, this volume provides a comprehensive introduction to one of the most complex, important and fascinating authors. Bringing together leading Ford scholars, the volume places Ford’s work in the context of significant literary, artistic and historical events and movements. Individual essays consider Ford’s theory of literary Impressionism and the impact of the First World War; illuminate The Good Soldier and Parade’s End; engage with topics such as the city, gender, national identity and politics; discuss Ford as an autobiographer, poet, propagandist, sociologist, Edwardian and modernist; and show his importance as founding editor of the groundbreaking English Review and transatlantic review. The volume encourages detailed close reading of Ford’s writing and illustrates the importance of engaging with secondary sources.
    • Introduction: Picturing Charlotte Brontë

      Wynne, Deborah; Regis, Amber K.; University of Chester, University of Sheffield (Manchester University Press, 2017-07-24)
      The chapter introduces the edited volume of essays and engages with how Charlotte Brontë's image in the twenty-first century.
    • Island of the assassins: Cannabis, spectacle, and terror in Alex Garland's The beach

      Stephenson, William; University College Chester (Taylor & Francis, 2005-06)
      This article discusses the use of the cannabis, spectacle, and terror in Alex Garland's novel, The Beach. The author argues that Garland's novel is a most contemporary text, exposing disturbing contradictions in the West's current ideology and behavior.
    • 'Isn't it your own country?': The stranger in nineteenth-century Irish literature

      Fegan, Melissa; University College Chester (Modern Humanities Research Association, 2004-01-01)
      This article discusses the nineteenth-century British obsession with travel in Ireland, and the representation of the stranger in three novels soon after the Union: Owenson's The Wild Irish Girl, Edgeworth's The Absentee, and Banim's The Anglo-Irish of the Nineteenth Century. These Irish writers use the stranger to expose misconception and urge reconciliation, but the stranger undergoes an evolution in their works, from English, to Anglo-Irish, to Irish — from colonizer coming to terms with the actions of his ancestors, to Anglo-Irish landlord taking responsibility for his land and tenants, to Irishman embracing his national identity and forging his own destiny.
    • Italian Lessons

      Seed, Ian; University of Chester (The Fortnightly Review, 2015-09-01)
      Short Story
    • John Fowles

      Stephenson, William; Chester College of Higher Education (Northcote House, 2003)
      This book discusses the life of John Fowles, all his works of fiction, and his most important non-fiction works.
    • The Kenneth Williams Diaries

      Chantler, Ashley; University of Chester (Ad Hoc Fiction, 2018-11-30)
      Flash fiction.
    • ‘Killer Consumptive in the Wild West: the Posthumous Decline of Doc Holliday’

      Tankard, Alex; University of Chester (Routledge, 2014-07-08)
      This chapter discusses how representations of consumptive Wild West gunfighter 'Doc' Holliday in life-writing and film have changed since the 1880s, and suggests that this reflects changing attitudes towards tuberculosis and disability over time.
    • Language attitudes and divergence on the Merseyside/Lancashire border

      West, Helen; University of Chester (John Benjamins Publishing Company, 2015-12-16)
      Recent sociolinguistic studies have argued that speaker identity is accentuated in borer regions due to speakers’ desire to project a strong sense of identity (Llamas 2007, 2010; Britain 2010). Following the Local Government Act in 1972, the creation of the administrative county of Merseyside provides us with fertile ground for the study of the relationship between language variation and regional identity. This chapter investigates the diffusion of fronted Liverpool NURSE (Wells 1982), in Southport (Merseyside) and Ormskirk (South Lancashire) demonstrating that, in comparison to Ormskirk, despite the administrative and socioeconomic links with Liverpool, the Liverpool accent is not spreading to Southport as might be hypothesised by existing models of diffusion of linguistic change. I explore possible explanations for the variation between Southport and Ormskirk with particular reference to speaker attitude in relation to the negative perception of the Liverpool accent.
    • The liberal tradition in fiction

      Blair, Peter; University of Chester (Cambridge University Press, 2012-01-12)
      This chapter in the landmark Cambridge History of South African Literature offers a comprehensive discussion of the 'liberal-concerned' tradition in South African fiction, from the late nineteenth century to the early twenty-first century. It comprises five main parts: 'Liberalism in politics and civil society'; 'Classic liberal fiction, 1883-1948'; 'Liberal fiction during apartheid, 1948-70'; 'Post-liberal fiction during apartheid, 1970-90'; '(Post-)liberal fiction after apartheid'.
    • Liberalism

      Blair, Peter; University of Chester (Wiley-Blackwell, 2016-01-25)
      A political philosophy that emerged from the Enlightenment, liberalism has a complex relationship with democracy, colonialism, postcolonialism, globalization, and literature. Democracy has been shaped by a tension between “classical liberalism”, which prioritizes liberty, and “modern liberalism”, which emphasizes equality. Liberalism also moulded the informal empire of free trade, and the “liberal imperialism” that devised a “civilizing mission” to justify formal empire. The development of liberalism has been vital in the anglophone settler colonies, particularly the USA; often, especially in South Africa, it has been focused on racial justice. The neo-liberalism that emerged in the late twentieth century advocates the globalization of unfettered capitalism and personal liberty. Many postcolonialists consider neo-liberalism a reprise of liberal imperialism, with “human rights” replacing the “civilizing mission” as a cultural-imperialist pretext for economic exploitation.
    • ‘“Like a wail from the tomb, / But of world-waking power”: James Clarence Mangan’s “A Vision: A. D. 1848”, The Great Famine and the Young Ireland Rising’

      Fegan, Melissa; University of Chester (Cambridge Scholars, 2007-06-01)
      This book chapter discusses the poems of James Clarence Mangan.
    • Lined Up Like Scars: Flash Fictions

      Blair, Peter; Chantler, Ashley; University of Chester (Flash: The International Short-Short Story Press, 2015-05-02)
      Sassy and incisive, tender yet scalpel-sharp, the ten short tales in Lined Up Like Scars cut to the quick of modern life, dissecting the dysfunctional dynamics of an American family with a tragic secret at its heart. Meg Tuite traces girlhood, young womanhood, and the jealous loyalties of sisterhood through a series of ‘magpie moments’ that are often darkly funny – featuring inedible meatloaf, sloughed skin, mysterious boy-bodies, insurgent underwear, speed-dating with attitude, the street-stomping antics of a wannabe band, and an unnerving collector of American Girl dolls. But the comic coping strategies of children (licking walls, ingesting gym socks, humping stuffed animals) have chronic counterparts in those of adults (alcoholism, prescription drugs). And in the final story, an ageing father reveals a truth that his daughters will forever conceal behind Facebook façades.
    • Literary Illumination

      Leahy, Richard; University of Chester (University of Wales Press, 2018-08-20)
      Literary Illumination examines the relationship between literature and artificial illumination, demonstrating that developments of lighting technology during the nineteenth century definitively altered the treatment of light as symbol, metaphor and textual motif. Correspondingly, the book also engages with the changing nature of darkness, and how the influence of artificial light altered both public perceptions of, and behaviour within, darkness, as well as examining literary chiaroscuros. Within each of four main chapters dedicated to the analysis of a single dominant light source in the long nineteenth-century – firelight, candlelight, gaslight, and electric light – the author considers the phenomenological properties of the light sources, and where their presence would be felt most strongly in the nineteenth century, before collating a corpus of texts for each light source and environment.
    • Literature 1660-1714

      Alsop, Derek; University of Chester (Continuum, 2010-02-28)
      This book chapter discusses the poetry of the Earl of Rochester and the Rover by Aphra Behn and places them within the historical context of the time.
    • Literature 1714-1789

      Alsop, Derek; University of Chester (Continuum, 2010-02-28)
      This book chapter discusses key authors and texts between 1714 and 1789, focusing on the poetry of Alexander Pope and Joseph Andrews by Henry Fielding.