• Editorial and Contents

      Blair, Peter; Chantler, Ashley; University of Chester (Peter Blair and Ashley Chantler, 2017-10-01)
      Editorial and Contents.
    • English regional dialect lexis in the names and occupations of the Gloucestershire Cotswolds: a reassessment of the relationship between names and dialects

      Parkin, Harry; University of the West of England (De Gruyter, 2015-11-03)
      A number of surname-based studies have presented a relationship between medieval regional dialect lexis and the distribution of associated modern-day surnames. However, by carrying out localised research, it appears that the two might not be so closely linked as previously thought, with discrepancies in the distribution of regionally specific names and equivalent occupational descriptions. As a result, there seems to be a need to reconsider the connection between regional lexicons and corresponding name stocks, which may have been less closely related, at a period of non-hereditary by-naming, than current knowledge suggests.
    • ‘Equivocal Objects: The Problems of Property in Daniel Deronda’

      Wynne, Deborah; University of Chester (Open Library of Humanities, 2008-04-01)
      Written between the passing of the first Married Women's Property Act in 1870 and the second Act of 1882, Eliot's final novel, Daniel Deronda (1876), offers a powerful depiction of the social and legal disabilities faced by women. Her representations of objects and objectification centre on the concept of property, not only portable property such as jewellery and clothing, but also the idea of women themselves as property to be exchanged within the Victorian social system. This essay suggests that Eliot's awareness of the anomalies of the law and the equivocal positions held by women in terms of property ownership informs her depictions of the things women possess, and the sorts of meanings generated by objects. The essay argues that in Daniel Deronda Eliot offers a powerful critique of women's exclusion from the patriarchal processes of primogeniture, and that her ironic use of terms such as 'own' and 'self-possession' in relation to her female characters helps to emphasise her need to move beyond the heroine who renounces the things of this world.
    • ‘Ever so many partings welded together': Serial Settlement and Great Expectations

      Piesse, Jude; University of Chester (Pickering and Chatto, 2014-07-01)
      As the most antipodal of great British novels, Charles Dickens’s Great Expectations has often been read in the light of its peripheral but insistent engagement with colonial history. Following Edward Said’s discussion of the novel in Culture and Imperialism, its fundamentally uneasy mood has been variously attributed not only to central concerns with class and guilt, but also to those issues of colonial return and racial violence which haunt its feverish margins. Despite widespread critical appreciation of the pressure which empire exerts on the novel, however, Great Expectations has seldom been considered in relation to the history of settler emigration from Britain, which arguably constitutes its most relevant and immediate context, or in company with the large range of emigration literature which flourished alongside it in the British periodical press. Foregrounding the novel’s own often overlooked identity as a periodical serial text published in All the Year Round (1 December 1860 – 3 August 1861), this chapter situates it alongside a number of serialised novels about Australian and Canadian settler emigration which were published in equivalent journals from mid-century. I argue that reading Great Expectations in the light of these predominantly domestic and significantly serialised novels affords a means of both refining our understanding of its engagement with colonial history and reconceptualising its troubled preoccupations with home, departure, and nostalgic return.
    • 'Every Irishman is an Arab': James Clarence Mangan's Eastern 'Translations'

      Fegan, Melissa; University of Chester (Edinburgh University Press, 2013-07)
      This article discusses James Clarence Mangan's ‘Literæ Orientales’, six articles he published in the Dublin University Magazine between 1837 and 1846.
    • Experience’s Potential and Potential Experiences: Subjectivity, Alterity, and Futurity in the Late-Apartheid Novels of Nadine Gordimer

      Blair, Peter; University of Chester (Société d'Étude des Pays du Commonwealth / Society for the Study of Commonwealth Countries, 2019-06-30)
      This article begins by scrutinizing divergent critical views of Gordimer’s subject position and authorial agency, which locate her variously on a spectrum ranging from liberal-humanist autonomy to historical-materialist determinism. It then considers how Gordimer’s nonfiction articulates a parallel ambivalence about the reach of the writer’s imagination (and its dependence on “the potential of his own experience”), particularly regarding the ethics and feasibility of creating racially “other” characters. Its main part reads July’s People (1981), in relation to other Gordimer novels, as a similarly self-reflexive engagement with subjectivity and alterity: the otherness of the imagined future (a “potential experience”) facilitates fresh socio-political perspectives, even as the novel expresses philosophical scepticism about such imaginative extrapolation and its textual representation. The article concludes with a new reading of the novel’s “open” ending as a projection of this epistemological conflict.
    • '‘Exspecta Inexspectata’: The Rise of the Supernatural in Hybrid Detective Series for Young Readers'

      Andrew, Lucy; University of Chester (Palgrave Macmillan, 2015-08-18)
      This chapter focuses on the rise of the supernatural detective fiction hybrid for young readers, focusing on Justin Richards' Invisible Detective series (2003-2005) and Andrew Hammond's CRYPT series (2011-2014).
    • Extremities of perception

      Wall, Alan; Jones, Gron T.; University of Chester ; University of Birmingham (The International Society for the Arts, Sciences and Technology, 2006-07-29)
      This article discusses the authors' collaborative exploration of the use of metaphor in science.
    • An eye for an eye - Anthony Trollope's gothic novel?

      Siddle, Yvonne; University of Chester (The Trollope Society, 2014)
      This article examines Anthony Trollope's novel An Eye for an Eye in the context of the author's complex relationship with Ireland. It looks in particular at how Trollope both deploys and disrupts stock features of the Gothic to recommend a not just the continuance but the reinforcement of the Union between Britain and Ireland in the nineteenth century.
    • Family Names

      Parkin, Harry; Hanks, Patrick (Oxford University Press, 2016-01-21)
      A summary of family naming systems around the world, and the current state of research in the field of surname study.
    • Fidelities

      Seed, Ian; University of Chester (Red Ceilings Press, 2015-11-01)
      Poetry pamphlet
    • The film of Harold Pinter's The caretaker

      Chantler, Ashley; University of Chester (Chester Academic Press, 2009-08-22)
      This book chapter discusses the 1963 film version of The caretaker.
    • Flash Fiction

      Blair, Peter; University of Chester (Bloomsbury, 2014)
      This article, which appears in the bestselling guide to publishing and the media, introduces the short-short story, most commonly known as 'flash fiction'. It outlines the historical rise of the flash, considers the defining characteristics of the form, and offers advice on writing flash fiction and getting it published. It includes an example of flash fiction and a structured list of suggestions for further primary and secondary reading.
    • Flash: The International Short-Short Story Magazine, 10.1 (Apr. 2017)

      Blair, Peter; Chantler, Ashley; University of Chester (Peter Blair and Ashley Chantler, 2017-04-01)
      Editorial.
    • Flash: The international short-short story magazine, 7.2 (October 2014)

      Blair, Peter; Chantler, Ashley; University of Chester (University of Chester, 2014-10)
      This issue features new stories from Australia, Austria, Britain, Canada, China, Germany, India, Ireland, Japan, and the USA. We are particularly pleased to open with pieces by two distinguished European writers, in luminous translations: two ‘zkv’s (‘zeer korte verhalen’ [very short stories]) by A. L. Snijders, who coined the term, translated from the Dutch by Man Booker International winner Lydia Davis; and three pieces from Austrian writer Josef Winkler’s When the Time Comes (2013), translated by Adrian West, originally published in German as Wenn es soweit ist – Erzählung (1998). Wonderful renderings by West of Winkler also appeared in Flash, 6.1. Davis’s impressive Collected Stories (2009) was featured in the ‘Flash Presents’ section of 6.2; her latest collection, Can’t and Won’t, is enthusiastically reviewed in this issue by Robert Shapard, editor of influential flash and sudden-fiction anthologies. This issue’s ‘Flash Presents’ contains four stories by Virginia Woolf: ‘A Haunted House’, ‘Monday or Tuesday’, ‘Blue & Green’, and ‘In the Orchard’. These are followed by our fourth ‘Flash Essay’. In ‘“Splinters & mosaics”: Virginia Woolf’s Flash Fictions’, Kathryn Simpson argues that Woolf’s experimental flashes provide insight into her emergence as a major modernist novelist and her enduring preoccupations. ‘Flash Reviews’ examines two other single-author books and two anthologies. Laurie Champion is entertained by Lucy Corin’s One Hundred Apocalypses and Other Apocalypses, a collection of short and short-short stories, while Christine Simon is intrigued by Will Eaves’s The Absent Therapist, a novel in flashes. Robert Scotellaro enjoys Tara Laskowski’s selection from ten years of the SmokeLong Quarterly, while Ian Seed embraces the longer perspective of Alan Ziegler’s Short, which ranges over five centuries of brief prose. Each review is accompanied by a sample story. Laskowski’s anthology is represented by Jeff Landon’s ‘Five Fat Men in a Hot Tub’, Ziegler’s by Oscar Wilde’s ‘The Artist’. Copies of the magazine are available through the magazine’s website: http://www.chester.ac.uk/flash.magazine
    • Flash: The International Short-Short Story Magazine, 8.1 (April 2015)

      Blair, Peter; Chantler, Ashley; University of Chester (Peter Blair and Ashley Chantler, 2015-04)
      The fourteenth issue of Flash, which features new stories from Botswana, Britain, Egypt, France, Hong Kong, Hungary, India, Ireland, Japan, South Africa, Sweden, and the USA. We are pleased to open with four pieces by David Swann, whose Stronger Faster Shorter: Flash Fictions launched our new venture, Flash: The International Short-Short Story Press. For more information about the collection and the Press, please visit Flash’s website. This issue also includes the 2015 winner of the UK’s National Flash Fiction Youth Competition, ‘Hide and Seek’ by Helen Gurr, a talented A-level student at Wirral Grammar School for Girls. The competition was organized by Flash and the Department of English, University of Chester; it was judged by the editors and leading flash author Vanessa Gebbie. ‘Flash Presents’ contains four pieces – ‘The Interview’, ‘The Goat Tetherer Attempts to Make History’, ‘The Shortage at the Petting Zoo’, and ‘Storage’ – from Nick Parker’s acclaimed debut collection The Exploding Boy and Other Tiny Tales (2011). In the ‘Flash Essay’ section, Charlotte Rich connects ‘Kate Chopin’s Very Short Stories’ to the late-nineteenth-century American author’s longer work. Alongside the essay, ‘A Very Fine Fiddle’ is reprinted; in Flash, 7.1, you can read ‘A Harbinger’, ‘Doctor Chevalier’s Lie’, ‘Old Aunt Peggy’, and ‘Ripe Figs’. ‘Flash Reviews’ assesses a rich diversity of texts: three chapbooks (Nuala Ní Chonchúir’s Of Dublin and Other Fictions, William Todd Seabrook’s The Imagination of Lewis Carroll, and Shellie Zacharia’s Not Everything Lovely and Strange Is a Dream); three longer collections (Stuart Dybek’s Ecstatic Cahoots, James Robertson’s 365, and Avital Gad-Cykman’s Life In, Life Out); and a compendium of five novellas-in-flash with accompanying craft essays (My Very End of the Universe, by Tiff Holland, Meg Pokrass, Aaron Teel, Margaret Patton Chapman, and Chris Bower). Copies of the magazine are available through the magazine’s website: http://www.chester.ac.uk/flash.magazine
    • Flash: The International Short-Short Story Magazine, 8.2 (October 2015)

      Blair, Peter; Chantler, Ashley; University of Chester (Peter Blair and Ashley Chantler, 2015-10)
      The fifteenth issue of Flash, which features new stories from Australia, Britain, Canada, France, Kenya, the Netherlands, New Zealand, Russia, and the USA. This issue’s ‘Flash Presents’ contains four haunting and humorous pieces – ‘City’, ‘Sale’, ‘Chances’, and ‘The Test’ – from Ian Seed’s mesmerizing Makers of Empty Dreams (2014). (For a review of Seed’s Threadbare Fables (2012), see Flash, 6.1.) ‘Flash Reviews’ opens with Brian Baker’s thoughtful evaluation of a major new anthology, Flash Fiction International, edited by flash luminaries James Thomas, Robert Shapard, and Christopher Merrill. Alyce Cook welcomes Silvina Ocampo’s Thus Were Their Faces, a retrospective selection of stories in translation from an important Argentine writer often overlooked abroad. Holly Howitt, Eileen J. Pollard, and Paul McDonald consider new collections from the USA: Grant Faulkner’s Fissures, Karen Stefano’s The Secret Games of Words, and Paul Beckman’s Peek. Sarah Taylor enjoys Short Christmas Stories, a children’s stocking filler by Britain’s Maggie Pearson. (Pearson’s Short and Shocking! (2002), also for children, was showcased in ‘Flash Presents’ in Flash, 6.1.) Complementing Howitt’s review of Faulkner’s 100-word stories, Beret Olsen assesses Michael A. Kechula’s Micro Fiction, a guide to crafting the drabble. The editors are delighted to announce the publication of Meg Tuite’s Lined Up Like Scars: Flash Fictions. Sassy and incisive, tender yet scalpel-sharp, Lined Up Like Scars is the second in a series of chapbooks published by Flash: The International Short-Short Story Press. It follows our inaugural publication, David Swann’s Stronger Faster Shorter. New stories by both authors appear in this issue. We are also pleased to announce the launch of the International Flash Fiction Association (IFFA). For information about Lined Up Like Scars and the IFFA, please see the ‘Advertisements’ section. To order Press publications or to join the IFFA, please visit our website. Copies of the issue are available through the magazine’s website: http://www.chester.ac.uk/flash.magazine
    • Flash: The International Short-Short Story Magazine, 9.1 (April 2016)

      Blair, Peter; Chantler, Ashley; University of Chester (Peter Blair and Ashley Chantler, 2016-04)
      The sixteenth issue of Flash, which features new stories from Argentina, Britain, France, Hungary, and the USA, and boasts many of the world’s leading flash-fiction authors. It also includes the 2016 winner of the UK’s National Flash Fiction Youth Competition, ‘Silver Linings’ by Charlotte Rhodes, a talented A-level student at Winstanley College, Wigan. The competition was organized by Flash and the Department of English, University of Chester; it was judged by the editors and leading flash author and critic Holly Howitt. We are honoured to publish a final piece by the late Ihab Hassan (1925–2015), a brilliant literary critic and flash-fiction author. (Other stories by Hassan appeared in Flash, 5.2, 6.1, 6.2, and 7.2.) In ‘Flash Reviews’, Christine Simon admires the ‘philosophical weight’ of the flashes in influential Brazilian author Clarice Lispector’s first collected short stories in English translation. Tony Williams enjoys Robert Scotellaro’s What We Know So Far, while Alex Tankard reflects on how what she knows affects her reception of Rosie Forrest’s Ghost Box Evolution in Cadillac, Michigan. Other reviewers feast their eyes on two beautifully illustrated collections: Caroline Jones is charmed by Vanessa Gebbie’s Ed’s Wife and Other Creatures, illustrated by Lynn Roberts; and Jude Piesse explores the story wood created by Nik Perring’s Beautiful Trees, illustrated by Miranda Sofroniou. Ian Seed meanwhile scrutinizes the flashes and craft essays in Family Resemblance: An Anthology and Exploration of 8 Hybrid Genres, edited by Marcela Sulak and Jacqueline Kolosov. Copies of the issue are available through the magazine’s website: http://www.chester.ac.uk/flash.magazine
    • Flash: The International Short-Short Story Magazine, 9.2 (Oct. 2016)

      Blair, Peter; Chantler, Ashley; University of Chester (Peter Blair and Ashley Chantler, 2016-10-01)
      Editorial.
    • A Fool lies here who tried to hustle the East: Neo-Colonialism and Self-Fashioning in Hunter S. Thompson’s The Curse of Lono

      Stephenson, William; University of Chester (Taylor & Francis, 2011-03-10)
      This essay departs from the critical consensus on The Curse of Lono (1983) to argue that it forms an important part of Hunter S. Thompson’s oeuvre and shows significant developments from his celebrated 1970s work. The novel functions politically as a critique of late twentieth-century US neo-colonialism and thus anticipates the current globalization debate, at the same time as wrestling with the connected problem of its author’s acknowledged status as a celebrity or branded American product. The Curse of Lono’s complex structure of interwoven extracts from Thompson’s research sources, as well as Ralph Steadman’s drawings, reduces the importance of the central subjective voice that Thompson had employed since his 1970s books, enabling the novel to comment ironically on the notorious Gonzo persona in which, thanks to the very success of his earlier work, Thompson had become trapped, and on which he still depended commercially (I refer here to Michel Foucault’s concept of the author-function). The Curse of Lono mocks its Gonzo protagonist as both a tourist and a buffoon: it comments on the subjectivism of Gonzo ironically, pushing celebrity to its ludicrous limit by making the protagonist divine. At the same time, the novel demonstrates how authorship can emerge from the historical forces that fashion culture, such as globalization In order to unpack the satirical content of The Curse of Lono in the detail it deserves, this essay adopts a position broadly aligned with the Marxist stance on globalization that sees it as a term masking Western imperialism and the needs of finance capital: I refer here to the work of David Held, Anthony McGrew, Peter Cox, James Annesley and others.