Browsing English by Authors
Ford Madox Ford's Parade's End: The First World War, culture, and modernityChantler, Ashley; Hawkes, Rob; University of Chester ; University of Teesside (Rodopi, 2014-01-01)Parade’s End is the subject of the fifteen essays here, by both established experts and new scholars. The volume includes groundbreaking work on the psycho-geography of the war in Ford’s novels; on how the war intensifies self-consciousness about performance and sensation; and on the other writers and artists Ford drew upon, and argued with, in producing his post-war masterpiece.
An Introduction to Ford Madox FordChantler, Ashley; Hawkes, Rob; University of Chester. University of Teesside (Ashgate, 2015-12-04)For students and readers new to the work of Ford Madox Ford, this volume provides a comprehensive introduction to one of the most complex, important and fascinating authors. Bringing together leading Ford scholars, the volume places Ford’s work in the context of significant literary, artistic and historical events and movements. Individual essays consider Ford’s theory of literary Impressionism and the impact of the First World War; illuminate The Good Soldier and Parade’s End; engage with topics such as the city, gender, national identity and politics; discuss Ford as an autobiographer, poet, propagandist, sociologist, Edwardian and modernist; and show his importance as founding editor of the groundbreaking English Review and transatlantic review. The volume encourages detailed close reading of Ford’s writing and illustrates the importance of engaging with secondary sources.
War and the mind: Ford Madox Ford's Parade's End, modernism, and psychologyChantler, Ashley; Hawkes, Rob; University of Chester ; University of Teesside (Edinburgh University Press, 2015-06-30)Features new critical essays illuminate Ford Madox Ford's First World War modernist masterpiece Parade's End. This is the first full length critical study of Parade's End to focus on the psychological effects of the war. Originally published in 4 volumes between 1924 and 1928, Parade's End has been described as "the finest novel about the First World War." (Anthony Burgess). "the greatest war novel ever written by an Englishman." (Samuel Hynes). "a central Modernist novel of the 1920s, in which it is exemplary." (Malcolm Bradbury). "possibly the greatest 20th century novel in English." (John N. Gray). These 10 newly commissioned essays focus on the psychological effects of the war, both upon Ford himself and upon his novel: its characters, its themes and its form. The chapters explore: Ford's pioneering analysis of war trauma, trauma theory, shell shock, memory and repression, insomnia, empathy, therapy, literary Impressionism and literary style. Writers discussed alongside Ford include Joseph Conrad, Siegfried Sassoon, May Sinclair, and Rebecca West, as well as theorists Deleuze and Guattari, Michel Foucault, Sigmund Freud, William James, and W H R Rivers. A long overdue examination of Ford's First World War modernist masterpiece Parade's End. It focuses on psychology and the effects of war on the minds of those who fought and those at home; adds to writing about First World War writers, war trauma and trauma theory as well as modernism, and literary Impressionism and contributes to the burgeoning fields of medical humanities and disability studies by reconsidering Parade's End in terms of the various mental and psychological disorders represented within its pages.