• Transitions to higher education: the case of students with vocational background

      Katartzi, Eugenia; Hayward, Geoff (Informa UK Limited, 2019-04-27)
    • Using Kaleidoscopic Pedagogy to Foster Critically Reflective Learning about Management and Leadership

      Owens, Allan; Passila, A.; Malin, Virpi; University of Chester, Lapeenranta University of Technology, Jyvaskyla University. (Palgrave macmillan, 2019-04-19)
      This chapter focuses on an Arts-Based Intervention (ABI) into an Introductory course of Management and Leadership offered to students considering key concepts and frames of thinking in the field for the first time. First, we introduce Kaleidoscopic Pedagogy and conceptually frame our ABI in relation to the mode of learning that it allows for together with the drive for equality that it is concerned with. We then introduce the context of the ABI, describe the course and its background and the course facilitators together with information about the participants. Emphasis is placed on the way the course was framed to bring a sense of present-day management reality through our use of art-based methods including an ongoing collaboration with an experienced R&D manager who is part of the course team. Next an explanation of the content of three of the Art-based Methods used in the course as part of the whole ABI. This is followed by a description of the process of learning providing a sense of what the experience of learning would be like for a participant. The impact and experiences of learning during the intervention are then discussed from the students’ and the tutors’ perspectives. The final two sections focus on impact and lessons learned.
    • Art and empowerment

      Adams, Jeff; University of Chester (Wiley, 2019-02-13)
      Editorial discussing local art communities in Bethlehem and Liverpool empowering artists and students by supporting them and exhibiting their work.
    • Psychogeography and Well-Being

      Scott, Clare; Marichalar-Freixa, Eva; Poole, Simon E.; University of Chester and Storyhouse (Springer, 2019)
      A psychogeographical understanding offers a contemporary view that can be concerned with finding personal connections with place; an expression of political dissent; an expression of spirituality; or a documentation and consideration of a journey. It could also be an amalgamation of any of these to greater or lesser degrees. This understanding considers the historical significance of the flâneur, the dérive, psychogeography, from the urban to the rural, and how it has and will have, significant impact on self-efficacy, self-esteem, community, identity, landscape, and above all sustainability today and tomorrow.
    • Understanding subject knowledge for primary teaching

      Pope, Deborah; University of Chester (Learning Matters, Sage, 2019)
      How can trainee teachers begin their careers with a clear understanding of all the curriculum subjects? This book addresses the nature of subject knowledge in all foundation curriculum subjects. It deconstructs the elements of each subject through an exploration of the nature of the subject, a coverage of the 'skills' a study of this subject develops and through detailed analysis of case studies from practice. At a time when concerns about the lack of breadth in the primary curriculum are being voiced, this book supports busy trainee teachers to truly understand and be ready to teach all curriculum areas.
    • Applied fantasy and wellbeing

      Wall, Tony; MacKenzie, Anna; Poole, Simon E.; University of Chester and Storyhouse (Springer, 2019)
      Applied Fantasy is a new, innovative approach to wellbeing that demonstrates the significant potential within fantasy literature and media to provide effective and sustainable coping strategies for positive mental health. Emerging at the intersection of fantasy literature and media, mental health and wellbeing, and fan studies, the benefits from Applied Fantasy are two-fold. First, the concept of an individual being part of a wider fandom is a positive step towards a) combating isolation and b) subverting the stigma surrounding mental health; and second, the contents of the fantasy works themselves provide solid examples and guidance on how to manage mental health concerns while not overtly discussing coping strategies for mental health.
    • Informal Music-Making and Well-Being

      Solé i Salas, Lluís; Poole, Simon E.; University of Chester and Storyhouse (Springer, 2019)
      In order to define the nature of informal music, specifically music making and its multidimensional connections with one’s wellbeing. A brief history of how music making is understood is first offered in order to delineate associated research, and music learning models. It is hoped that this will provide some detailed definition of the contemporary context of music making, so that the approach of ‘Universal Design’, amongst others, in the making of music might be understood as a paradigm shift that might have benefits for wellbeing. Informal music making is in short defined as categorically separate from formal music making, but their overlapping and dynamic relationship is nonetheless recognised and also further expanded upon. Informal music making is also aligned to understandings of the intuitivist and rationalist composer.
    • Exploring the material mediation of dialogic space – A qualitative analysis of professional learning in Initial teacher education based on reflective sketchbooks

      Moate, Josephine; Hulse, Bethan; Jahnke, Holger; Owens, Allan; Jyvaskyla University; University of Chester; Europa University, Flensburg (Elsevier, 2018-12-05)
      This study addresses the crucial relationship between theory and practice as a key feature of professional learning in initial teacher education. The context for the study is an EU-funded intensive programme drawing on different dimensions of insideness and outsideness and arts-based pedagogies in response to the diversity of education today. The data for the study comes from self-selected pages from preservice teacher participants’ reflective sketchbooks. As a methodological approach that unifies the sensuous and cognitive this study suggests that reflective sketchbooks document the dialogic encounters of students whilst also providing a material space that can itself become a form of dialogic space for critical reflection. The main findings of the study outline critical ways in which preservice teachers transform theoretical inputs into individual expressions as well as conceptualise theory in relation to lived experience.
    • Art and Design as Agent for Change

      Adams, Jeff; University of Chester (Wiley, 2018-11-25)
      Editorial for a special conference issue of the journal. The iJADE conference in November 2017 took place in the National College of Art and Design (NCAD) in Dublin. The conference theme chosen was ‘Art and design as agent for change’, since social justice has become a growing focus for many educators and practitioners in the visual arts, and the idea of art and design education having agency in the process of social chance has gained traction. All of the papers in this issue are written by delegates from the conference who, by popular demand, were invited to write up their presentations for publication in the journal.
    • The convergence of National Professional Qualifications in educational leadership and masters level study

      Lambert, Steve; University of Chester (Emerald, 2018-11-12)
      In February 2012, less than three years after the introduction of the compulsory National Professional Qualification for Headship (NPQH) for aspiring school head teachers, the mandatory requirement was removed. Despite no longer being a requirement, nearly 900 individuals annually, successfully complete the programme, with a further 5,000 completing the awards of National Professional Qualification for Middle Leadership (NPQML) and the National Professional Qualification for Senior Leadership (NQPSL). In 2017, the UK government decided that the suite of national professional qualifications (NPQML, NPQSL, NPQH) needed to be updated in order to ensure that they remained relevant to the changing shape of the educational landscape, particularly through the expansion of multi-academy trusts. At the same time, the government proposed a new National Professional Qualification for Executive Leadership (NPQEL) aimed at the chief executives of multi-academy trusts, which vary in size from two or three schools working together, to trusts with in excess of thirty-five schools. This paper explores the way in which the new NPQ programmes are having masters level criteria embedded into them to facilitate a seamless progression into masters level study and what potential benefits this brings to the individual and the provider of the NPQ programmes.
    • Scouse Pop

      Skillen, Paul (Equinox (Sheffield), 2018-10-29)
      Scouse Pop is a journey into the personalities and music of the successful pioneering Liverpool pop bands of the late seventies and eighties. It examines their motivations, their uniqueness and the routes to success which made them into enduring musical innovators. It looks at the reasons why art-pop bands such as OMD, China Crisis, Echo and the Bunnymen, Black and Frankie Goes to Hollywood managed to combine art and commerce with such spectacular success. The bands experienced their own 'revolutions in the head, ' internal revolutions than eventually made many of them household names. The development of these suburban romantics from Liverpool represented a period of intensive creativity and musical romanticism that still resonates today. The spirit of (internal) revolution at the heart of these bands retains a strong fascination for those interested in artistic creation and popular culture. Given the bleak and uninspiring context within which the bands surfaced, how did these musicians achieve great success? Scouse Pop explores this question in detail, and examines the factors that facilitated the transformation of Liverpool teenage dreams into commercial and cultural impact. The music industry, radio and DJs, producers and engineers, the record-buying public and the bands themselves comprise the heart of this account.
    • Book Review: 'Art Disobedience and Ethics: The Adventure of Pedagogy'

      Adams, Jeff; University of Chester (National Society for Education in Art and Design, 2018-09-01)
      Book review of Dennis Atkinson's 'Art, disobedience and ethics: The adventure of pedagogy',
    • “‘There's only one God, ma'am’- one God or many gods in the world of the Avengers”

      Holt, James D.; University of Chester (Open Court, 2018-08-30)
      This chapter will explore the nature of God within Captain America’s world and how much this draws on the ‘previous life’ of Captain Steve Rogers. It will do so, however, utilizing the exploration of the experience of Moses and the identification of God at the burning bush as a way to understand a worldview that accepts the existence of multiple deities, but with one supreme deity: ‘I am’. The chapter will then contrast this understanding with a Humean approach to the understanding of religion and the nature of God.
    • The Critically Designed Garden.

      Adams, Jeff; Hyde, Wendy; University of Chester (Wiley, 2018-08-08)
      This article is concerned with design applied to gardens, using examples from the Chelsea Flower Show in London. There is a discussion of those show gardens that represented Syrian refugees’ gardens in Iraq and the Windrush generation immigration to the UK. The garden designs combine the aesthetics of organic materials and spatial architecture with an implicit critique of topical contemporary social issues. The article concludes by commenting on the risks posed by the reduced and impoverished UK arts education policies for producing the next generation of applied design practitioners.
    • The Philosophy of Homelessness

      Moran, Paul; Atherton, Frances; University of Chester (Routledge, 2018-08-06)
      A Philosophy of Homelessness is, in a number of respects, a ground-breaking work. It critically analyses the, for the most part, ordinary assumptions by which most of us in the developed world appear to live our daily, ordinary lives. These ordinary assumptions include rights of ownership, and the ability through ownership to fashion one’s own living environment, for example by being able to decorate, add to and modify one’s home, and therefore to express some agency about place, belonging and being; the capacity to engage in an economic system in such a way that allows a distance, an abstraction, a dissociation of the participant, including the participant’s body, from that which is being exchanged; as well as a more general ontology that identifies and establishes the personal, the private, the condition that this - whatever this might be - being mine, again, including one’s own body, and the intimate cradle of one’s self, and thus one’s soul. Our research about homelessness, we suggest, discloses these facets of our contemporary, mundane neoliberal experience as products of an economy of being that forges our beliefs and practices about who and what we are. This critical analysis, amounting to a philosophy, is engendered from the mundane experiences of a community of chronically homeless people; a community that we have known and been part of for over three years. For example: the taken for granted experiences of shopping and belonging are discussed through the prism of heroin dealers and addicts; the process of being a couple and wanting to have a family is understood via a homeless couple’s struggle to live together and have a baby; the attempt to achieve financial independence is discussed by way of enforcers who collect drug debts for organised criminals; and themes of intimacy and privacy are explored through the lives of homeless sex-workers. Whilst the daily events of the homeless people that populate this work are arresting enough in themselves, it is their implications, their ontological and political implications, that are most shocking and telling about the brutal and parlous state of contemporary first world society, and the growing number of marginalised and dispossessed that it begets. The appeal of this powerful work therefore extends beyond an ethnographic and sociological analysis of homelessness in urban Britain; it provides a concrete opening for those interested in a radical critique, at the quotidian level of realisation, of the current global crisis of neoliberal beliefs and forms of organization. There are no other books on the market that undertake this work in this intimate, gritty, disturbing and irreverent way. By way of structure it achieves this by foregrounding in each chapter the lives of specific homeless people, which illustrate and develop the themes of being homeless.
    • An exploration of the tension between tradition and innovation.

      Poole, Simon E.; University of Chester and Storyhouse (Palgrave MacMillan, 2018-08-01)
      This chapter will present an exploration of the tension between tradition and innovation. Terms and meanings will first be defined and delineated. Tradition will be delineated by way of a consideration of folk culture in extremis, and innovation by way of a personological understanding of creativity, again in extremis. The exploration will take place within a framework expounded by folklorist Bausinger in ‘Folk culture in a world of technology’ (Bausinger, 1961). By revisiting his concepts, and utilising his notions of spatial expansion, temporal expansion and social expansion as lenses, I will reconsider folk culture, and the relationships it has with multi-dimensional topological theories of creativity in a world of digital technology. Several tensions extant in the concept of culture have been posited by previous writers, such as Elliot (1948), Dundes (Dundes, 2002), and Dewey (Dewey, 1938). These tensions are often seen as dichotomies, divisions or contrasts, which are represented as being opposed or entirely different, as a binary construct. Such constructs might serve the creative practitioner better if reframed instead as spectrums of tension. These two extremes, existing in a state of equilibrium, might benefit the creative practitioner, creative act and culture and society more broadly. Exploring these tensions, will make help contribute to the themes and discourses of creativity and culture. Reconsidering each expansion will in turn present new perspectives and ways forward, through the examination of the supposed tensions, and the values and ideas that each expansion deals with. The chapter concludes with thoughts on what the ramifications of these tensions might be; and on the implications for future creative and traditional practice: I am mindful here of the purpose of Bausinger’s original concepts concerned with uncovering new folkloric perspectives and potential standpoints. The chapter therefore has three aims, first to propose an alternative way of being, and knowing the world, that suggests by connecting with, or knowing the past and our cultural traditions, practitioners, professionals or workers can engage in a more personally and socially meaningful creative practice in the digital world. A secondary aim is to reflect upon how this standpoint promotes identity formation and broader social cohesion. And, finally how it might in itself represent a folk realpolitik.
    • Mentoring Associate Teachers in Initial Teacher Education: The Value of Dialogic Feedback

      Jones, Luke; Tones, Steven; Foulkes, Gethin; University of Chester (Emerald, 2018-06-04)
      Purpose - The aim of this paper is to analyse feedback in the context of secondary initial teacher education (ITE) in England. More specifically, it aims to examine the feedback experiences of physical education (PE) subject mentors and their associate teachers (ATs) during a one-year postgraduate programme. Design/methodology/approach – Semi-structured interviews, with nine PE mentors and eleven ATs within a university ITE partnership, were used to explore lesson feedback and the context in which it was provided. Interview data from the twenty participants was analysed through constant comparison to categorise content and identify patterns of responses. Findings - Mentors were well versed in the formal feedback mechanism of a written lesson observation. This approach is well established and accepted within ITE, but the dialogic feedback that follows lessons was thought to be where ATs made most progress. These learning conversations were seen to provide less formal but more authentic feedback for those learning to teach, and were most successful when founded on positive and collaborative relationships between the mentor and the ATs. Practical implications - These findings have implications for providers of teacher education and more specifically how they approach mentor training. The focus on lesson observations has value, but examining more informal dialogic approaches to feedback may have more impact on the learning of ATs. Originality/value - These findings support the value of lesson feedback but challenge the primacy of formal written lesson observations. The learning conversations that follow lessons are shown to provide authentic feedback for ATs.
    • A review of: Selling Folk Music: An Illustrated History, by Ronald D. Cohen and David Bonner.

      Poole, Simon E.; University of Chester; Storyhouse (Canterbury Christ Church University, 2018-06-01)
      A review of the book, Selling Folk Music: An Illustrated History. Ronald D. Cohen and David Bonner. (Jackson: University Press of Mississippi, 2018. ISBN 978-1-62846-215-9
    • Subject knowledge for primary teaching: the influence of the personal dimension on beginning primary teachers’ conceptualisations and interpretations

      Pope, Deborah; University of Chester (Taylor & Francis, 2018-02-13)
      This paper argues that professional discourse relating to subject knowledge for primary teaching is less than coherent in the context of initial teacher training (ITT). This study explored the ways in which the term subject knowledge was conceptualised and interpreted by beginning primary teachers. The research was conducted across two ITT partnerships with final-year undergraduate trainees. Data were collected via questionnaires, semi-structured interviews and participatory visual methods. The findings indicated that conceptualisations of subject knowledge were highly individualised and dependent on personal factors, rather than reflecting a shared understanding of a critically distinct concept.