• How Music Accessibility can be used in Art Based Research experiences

      Solé, Lluis; Poole, Simon E.; Storyhouse and University of Chester
      Arts-based Research (ABR) ‘can be defined as the systematic use of the artistic process, the actual making of artistic expressions in all of the different forms of the arts, as a primary way of understanding and examining experience by both researchers and the people that they involve in their studies’ (Knowles & Cole, 2008, p. 29). However, music is an art form that in Western culture, the practice of which is usually restricted to a few individuals with specific skills. Commonly, musical activities are left out of ABR works because of the inherent difficulties of the musical process. In this article, we review and provide multiple ways of how, through accessibility processes, music can be made by a wide range of participants regardless of their musical knowledge. The argument is made that the ways of accessibility presented open up the possibilities of using a wide-ranging use of participatory musical activities in research inquiries, assessment and evaluation. This chapter thus focuses on the ways in which music making can be made accessible and so increase the possibilities of its use partially or entirely as a provocation for inquiry, in collecting and analysing data, as a means of dissemination in research, assessment and evaluation processes.
    • Provoking the Field: International Perspectives on Visual Arts PhDs in Education

      Sinner, Anita; Irwin, Rita; Adams, Jeff; Concordia University; University of British Columbia; University of Chester (Intellect, 2019-05-13)
      Provoking the Field invites debate on, and provides an essential resource for, transnational arts-based scholars engaged in critical analyses of international visual arts education and its enquiry in doctoral research. Divided into three parts – doctoral processes, doctoral practices and doctoral programmes – the volume interrogates education in both formal and informal learning environments, ranging from schools to post- secondary institutions to community and adult education. The book brings together a global range of authors to examine visual arts PhDs using diverse theoretical perspectives; innovative arts and hybrid methodologies; institutional relationships and scholarly practices; A compendium of leading voices in arts education, Provoking the Field provides a diverse range of perspectives on arts enquiry, and a comprehensive study of the state of visual arts PhDs in education.
    • Transformative interventions: Creative practices in an Education Doctorate programme

      Adams, Jeff; Arya-Manesh, Emma; University of Chester (Intellect, 2019-05-13)
      This research explores the effects upon students’ doctoral research of the experience of engaging with a mandatory creativity component that was introduced into the second year of their EdD (educational doctorate) programme. The research focuses on the transformative potential of creative interventions upon the professional practices of students who previously had had little opportunity or experience of practising and theorising creatively. The course was run in collaboration with an international contemporary art gallery, which provided the stimulus and catalyst for the subsequent creative practices. Two case studies of students from diverse professional backgrounds, health and mathematics, disclose and discuss their personal experience of studying and utilising arts-based research methodologies, and consider the consequences of this for their subsequent approach to doctoral research.