Browsing Faculty of Education and Childrens Services by Subjects
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Living and learning through song.autoethnography is concerned with the tension between innovation and tradition in the craft of songwriting and the learning this allows for. It is formed by two parts; the following written thesis and a choral song entitled ‘The Walk to Kitty’s Stone’. The work draws upon my own experiences whilst writing this song and qualitative data obtained through recorded discussions with other songwriters, with whom I am part of a folk group called ‘the loose kites’. The thesis is structured and viewed through a folkloristic lens. Bausinger’s work and his concepts of the spatial, temporal and social horizons expanding provide this lens and offer a theoretical framework for folk culture in the digital world to be investigated. Two research methods of songwriting are used within this framework to consider the learning that occurs. The first method allows for an expression of a psychogeographical understanding using a machine called a ‘Perambulographer’ which enabled me to draw graphic scores for composition while walking. The second method was an exercise in ekphrastic lyric writing. Learning is considered in terms of informal education, and music pedagogy and as such builds upon Green’s research. The key interpretations from the research highlight notions of authenticity, respect, political awareness and democratic values as significant features of songwriting. This study does not offer any new pedagogy but instead highlights how songwriting as ‘craft-based practice as research’ might offer an opportunity for songwriters to appreciate the relationships and values that they embody in their practice, specifically with regards to their own identity, when teaching. The work proposes that a songwriter’s home and folk culture has a significant influence on their identity and how they write songs. The main advance in practice is the development of a theory of ‘be-longing’ underpinning the advocacy of a folkloristic disposition in the context of education.
Making and Relational Creativity: An exploration of relationships that arise through creative practices in informal making spacesThis thesis investigates the connections between making and relational creativity, exploring relationships that arise through creative practices in informal making spaces. As the researcher, my background is that of both artist and educator, and I combine both roles to work alongside students within the space. The aims of the study are to explore the impact such spaces have on teachers professional relationships with students together with the impact on student relationships. In addition, the research also aims to address the implications of informal making spaces for the school curriculum in England. The research is centred around the A/R/Tography Collective, a making space created to allow students the opportunity to meet and create after school outside of lesson time. The research builds on the democratic learning practices of Room 13 and Reggio Emilia models of learning. Using a qualitative approach within a narrative paradigm in the form of case study, I work alongside students within the field. By employing an immersive approach where field notes were written up retrospectively and reflected upon, I have been able to offer a holistic and balanced account of both my own and participant experiences, exposing the complexities and problematic nature of creative practices emerging outside of the curriculum framework. My findings reveal that by deconstructing traditional pedagogical frameworks, the lived experiences of students are revealed through the process of making, providing a unique insight into their lives. The findings suggest that the current art and design curriculum in England is not meeting the needs of students, and recommends the value of making spaces that exist outside of the curriculum framework to enhance learner experience. The research recommends that by allowing students freedom of expression within curriculum time, relationships between students and teacher are developed and strengthened. This in turn positively impacts on student performance within curriculum time. The research recommends the need for educators to inhabit a more holistic role, to tailor their pedagogy to meet the individual, ever changing needs of students.
Schematic pedagogy: supporting one child’s learning at home and in a group.In this paper, we identify ways in which the learning of very young children can be supported by practitioners developing a schematic pedagogy which focuses on structures of children’s thinking. First, we provide a critical overview of relevant literature on schemas and schematic approaches to pedagogy. We then outline an original study undertaken to identify and support the learning of seven young children. Taking one child, whom we call Annie, we illustrate how her attention to the fine detail of elements of her home and group environments as she played offered strong clues to her pedagogues about her persistent interests (schemas). We show how careful observation by practitioners can be used to understand and support future learning encounters through a schematic pedagogy, and we consider implications of such an approach for practice in toddlers’ early learning.
Understandings of creative practice and pedagogy by teacher education communities in West Bank, Palestine, and North West EnglandThis paper discusses a collaborative research project that aimed to explore approaches to creative practices and pedagogies by teacher education communities in the West Bank, Palestine, and North West England (Bethlehem and Chester). The project explored the values, attitudes and perceptions of teacher educators and student teachers in relation to creative pedagogies and the conditions under which they flourished in each community. We found that creativity was understood to take many forms, according to the cultural values and conditions present in each community, and that creative pedagogical forms emerged from the specificities of their cultural and political contexts. Creativity in education is a contentious issue in both cultures, but an area that both education communities wished to explore further. Despite the differences, there were surprising commonalities between the two communities about the value of creative practices and the relation of creativity to democratic and critical practices in the classroom.