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dc.contributor.advisorWoolley, Jason
dc.contributor.advisorCunningham, Stuart
dc.contributor.authorOwens, Steffan Rhys
dc.date.accessioned2025-07-25T15:03:53Z
dc.date.available2025-07-25T15:03:53Z
dc.date.issued2024-01
dc.identifierhttps://chesterrep.openrepository.com/bitstream/handle/10034/629547/Steffan%20Rhys%20Owens_PhD%20Thesis_Final_June_25.pdf?sequence=1
dc.identifier.citationOwens, S. R. (2025). Sensorimotor Synchronisation and Entrainment in Musical Timekeeping: Metronome Configurations and Preliminary Implications for Music Education [Unpublished doctoral thesis]. University of Chester.en_US
dc.identifier.urihttp://hdl.handle.net/10034/629547
dc.description.abstractTimekeeping whilst playing music is a skill all musicians, especially drummers, require. Following a review of the literature on this subject, this thesis explores methods of measuring timekeeping accuracy of individuals and groups, and offers recommendations for approaches for future training. Using equipment and techniques accessible to musicians and non-musicians alike, the researcher has investigated how individual timekeeping, specifically the measure of Inter-tap Interval (ITI), is influenced by the presence, absence, and reintroduction of metronomes of various designs. The thesis also investigates how the influence of these differing metronome states interact with tempo and with the type of metronome (audio and visual). Similarly, the dynamics of group timekeeping and the interaction (or entrainment) between individuals in the group is also investigated. Participants were asked to report their perception of their individual performances under the different conditions of the experiments. The results show that tempo influenced the accuracy of timekeeping and the presence, absence and reintroduction of the metronome also had effects on accuracy. Individuals thought their timekeeping to be more accurate when the metronome was present and that they performed better as individuals as opposed to being part of a group. Detailed analysis of the results showed that the reintroduction of the metronome proved to have a significant effect on average ITI produced by participants, as did tempo. Metronome type had no significant influence on ITI in an individual or group setting. In the conclusion of the thesis, the author provides recommendations for future assessment and training of musicians in the skill of timekeeping, with respect to the measure of ITI.en_US
dc.language.isoenen_US
dc.publisherUniversity of Chesteren_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectTimekeepingen_US
dc.subjectMusicen_US
dc.subjectMetronomesen_US
dc.subjectInter-tap Interval (ITI)en_US
dc.titleSensorimotor Synchronisation and Entrainment in Musical Timekeeping: Metronome Configurations and Preliminary Implications for Music Educationen_US
dc.typeThesis or dissertationen_US
dc.type.qualificationnamePhDen_US
dc.rights.embargoreasonNo embargo requested.en_US
dc.type.qualificationlevelDoctoralen_US
dc.rights.usageThe full-text may be used and/or reproduced in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-profit purposes provided that: - A full bibliographic reference is made to the original source - A link is made to the metadata record in ChesterRep - The full-text is not changed in any way - The full-text must not be sold in any format or medium without the formal permission of the copyright holders. - For more information please email researchsupport.lis@chester.ac.uken_US


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