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dc.contributor.authorMorrison, Simon A.
dc.date.accessioned2023-12-13T12:46:50Z
dc.date.available2023-12-13T12:46:50Z
dc.identifierhttps://chesterrep.openrepository.com/bitstream/handle/10034/628349/Preface.pdf?sequence=4
dc.identifier.citationMorrison, S. (2025 - forthcoming). Preface. In Transatlantic Drift: The ebb and flow of dance music from WWII to the Millennium. Reaktion.en_US
dc.identifier.urihttp://hdl.handle.net/10034/628349
dc.description.abstractTitled Transatlantic Drift: The Ebb and Flow of Global Dance Culture, this book tracks the evolving story of electronic dance music from WWII to the Millennium, as the beat bounced between Europe and North America. It will be published by Reaktion, in 2024. Music is not formed in isolation; humans are social animals, keen to draw on influences, to come together collectively, to share music, whether in their hometowns or travelling the world to share melody, and to feel the beat, communally. From Detroit to Wigan; from Dusseldorf to Chicago; from New York to Ibiza, the story of dance music has been a conversation between many people, in many, many different areas, communicating through the beat. This book will interrogate those ideas.en_US
dc.publisherReaktion Booksen_US
dc.rightsAttribution-NoDerivatives 4.0 International*
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/en_US
dc.subjectDance Musicen_US
dc.titlePreface to Transatlantic Drift: The Ebb and Flow of Global Dance Cultureen_US
dc.typeBook chapteren_US
dc.contributor.departmentUniversity of Chesteren_US
or.grant.openaccessYesen_US
rioxxterms.funderUnfundeden_US
rioxxterms.identifier.projectUnfundeden_US
rioxxterms.versionAMen_US
rioxxterms.licenseref.startdate2225-12-31
dcterms.dateAccepted2023-08-11
rioxxterms.publicationdate2025-12-01
dc.date.deposited2023-12-13en_US


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Except where otherwise noted, this item's license is described as Attribution-NoDerivatives 4.0 International