“[E]verything that is to be made whole must first be broken”: religion, metaphor and narrative alchemy in Hilary Mantel's Fludd (1989)
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Neary, ClaraAffiliation
University of ChesterPublication Date
2023-07-18
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In its depiction of the events initiated by a stranger’s arrival to a rural Catholic parish in 1950s England, Hilary Mantel’s (1989) novel Fludd is built upon fundamentally metaphoric foundations. Most noticeably, the novel’s articulation of alchemy captures the defining opposition of literal and fantastical meaning at the heart of all alchemical symbols. It does so via a metaphorical construction that is first outlined in the opening paratextual 'note' before continuing to provide the narrative backbone to the whole novel. This article adopts a broadly cognitive approach to illustrate how metaphor fulfils multiple crucial functions in the text, acting as a tool of characterisation, a means of narrative compression and a form of meta-textual referencing, all of which directly link to the novel’s central theme of transformation, particularly in the context of contemporary Catholicism. In so doing, it draws upon Biebuyck and Martens concept of the ‘paranarrative’ to demonstrate metaphor’s potential to fulfil a wide range of fundamental narrative functions.Citation
Neary, C. (2023). '[E]verything that is to be made whole must first be broken': religion, metaphor and narrative alchemy in Hilary Mantel's Fludd (1989). English Studies, 104(8), 1422-1446. https://doi.org/10.1080/0013838X.2023.2233310Publisher
Taylor & FrancisJournal
English StudiesAdditional Links
https://www.tandfonline.com/doi/full/10.1080/0013838X.2023.2233310Type
ArticleDescription
This is an Accepted Manuscript of an article published by Taylor & Francis in English Studies on 18/07/2023, available online: https://doi.org/10.1080/0013838X.2023.2233310ISSN
0013-838XEISSN
1744-4217ae974a485f413a2113503eed53cd6c53
10.1080/0013838X.2023.2233310
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