AffiliationUniversity of Chester; University of Sheffield
MetadataShow full item record
AbstractThis edited collection offers a timely reflection on Charlotte Brontë's life and work in the context of the bicentenary of her birth in 2016. Brontë's legacy continues to evolve and the new essays in this volume, covering the period from her first publication to the present day, explain why she has remained at the forefront of global literary cultures. Taking a fresh look at over 150 years of engagement with one of the best-loved novelists of the Victorian period, the volume examines areas such as genre, narrative style, national and regional identities, sexuality, literary tourism, adaptation theories, cultural studies, postcolonial and transnational readings. The contributors to this volume offer innovative interpretations of the rich variety of afterlives enjoyed by characters such as Jane Eyre and Rochester in neo-Victorian fiction, cinema and television, on the stage and on the web. Bringing the story of Charlotte's legacy up to date, the essays analyse obituaries, vlogs, stage and screen adaptations, fan fiction and erotic makeovers, showing that Charlotte Brontë's influence has been manifold and an enduring feature of the feminist movement.
CitationRegis, A. K., & Wynne, D. (Eds). (2019). Charlotte Brontë: Legacies and afterlives. Manchester: Manchester University Press.
PublisherManchester University Press
DescriptionComplete Edited Book. The edited collection was reviewed in Victorian Studies and here is a quotation from Janet Gezari: 'The book begins with a scrupulous and detailed account of actual and conjectural pictures of Brontë . I cannot think of another artist whose appearance has received so much attention. What is the difference between the continuing life of works of art and the continuing life of an artist? What difference does it make to that continuing life when the artist is a woman? . Most of the essays in part 1 focus on the "afterlife" part of this collection, and are thoughtful, scholarly, and consistently attentive to what it now means to study a Victorian cult writer in relation to the history of her reception and to contemporary concerns.' Janet Gezari, Connecticut College, Victorian Studies, Volume 61, Number 1, Autumn 2018
The following license files are associated with this item:
- Creative Commons
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 International