Making and Relational Creativity: An exploration of relationships that arise through creative practices in informal making spaces
dc.contributor.advisor | Adams, Jeff | |
dc.contributor.advisor | Bulkeley, Jane | |
dc.contributor.author | Bennett, Lindsey H. | |
dc.date.accessioned | 2019-10-31T10:43:37Z | |
dc.date.available | 2019-10-31T10:43:37Z | |
dc.date.issued | 2019-09-27 | |
dc.identifier.citation | Bennett, L. H. (2019). Making and Relational Creativity: An exploration of relationships that arise through creative practices in informal making spaces (Doctoral dissertation). University of Chester, UK. | en_US |
dc.identifier.uri | http://hdl.handle.net/10034/622782 | |
dc.description.abstract | This thesis investigates the connections between making and relational creativity, exploring relationships that arise through creative practices in informal making spaces. As the researcher, my background is that of both artist and educator, and I combine both roles to work alongside students within the space. The aims of the study are to explore the impact such spaces have on teachers professional relationships with students together with the impact on student relationships. In addition, the research also aims to address the implications of informal making spaces for the school curriculum in England. The research is centred around the A/R/Tography Collective, a making space created to allow students the opportunity to meet and create after school outside of lesson time. The research builds on the democratic learning practices of Room 13 and Reggio Emilia models of learning. Using a qualitative approach within a narrative paradigm in the form of case study, I work alongside students within the field. By employing an immersive approach where field notes were written up retrospectively and reflected upon, I have been able to offer a holistic and balanced account of both my own and participant experiences, exposing the complexities and problematic nature of creative practices emerging outside of the curriculum framework. My findings reveal that by deconstructing traditional pedagogical frameworks, the lived experiences of students are revealed through the process of making, providing a unique insight into their lives. The findings suggest that the current art and design curriculum in England is not meeting the needs of students, and recommends the value of making spaces that exist outside of the curriculum framework to enhance learner experience. The research recommends that by allowing students freedom of expression within curriculum time, relationships between students and teacher are developed and strengthened. This in turn positively impacts on student performance within curriculum time. The research recommends the need for educators to inhabit a more holistic role, to tailor their pedagogy to meet the individual, ever changing needs of students. | en_US |
dc.language.iso | en | en_US |
dc.publisher | University of Chester | en_US |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.subject | Art and design | en_US |
dc.subject | School curriculum | en_US |
dc.subject | Pedagogy | en_US |
dc.title | Making and Relational Creativity: An exploration of relationships that arise through creative practices in informal making spaces | en_US |
dc.type | Thesis or dissertation | en_US |
dc.publisher.department | University of Chester | en_US |
dc.rights.embargodate | 2021-08-16 | |
dc.type.qualificationname | EdD | en_US |
dc.rights.embargoreason | Restricted access. Future publication of thesis is planned. | en_US |
dc.type.qualificationlevel | Doctoral | en_US |
dc.rights.usage | The full-text may be used and/or reproduced in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-profit purposes provided that: - A full bibliographic reference is made to the original source - A link is made to the metadata record in ChesterRep - The full-text is not changed in any way - The full-text must not be sold in any format or medium without the formal permission of the copyright holders. - For more information please email researchsupport.lis@chester.ac.uk |