Name:
AGAIN Music+making+and+well ...
Embargo:
2219-01-01
Size:
449.8Kb
Format:
PDF
Request:
Main article
Affiliation
University of Chester and StoryhousePublication Date
2019-01-01
Metadata
Show full item recordAbstract
In order to define the nature of informal music, specifically music making and its multidimensional connections with one’s wellbeing. A brief history of how music making is understood is first offered in order to delineate associated research, and music learning models. It is hoped that this will provide some detailed definition of the contemporary context of music making, so that the approach of ‘Universal Design’, amongst others, in the making of music might be understood as a paradigm shift that might have benefits for wellbeing. Informal music making is in short defined as categorically separate from formal music making, but their overlapping and dynamic relationship is nonetheless recognised and also further expanded upon. Informal music making is also aligned to understandings of the intuitivist and rationalist composer.Citation
Poole, S. E., & Solé i Salas, L. (2020). Informal music-making and well-Being. In W. Leal Filho, T. Wall, A. M. Azul, L. Brandli, P. G. Özuyar (Eds.), Good Health and Well-being. Encyclopaedia of the UN Sustainable Development Goals (pp. 448-457). Cham, Switzerland: Springer. https://doi.org/10.1007/978-3-319-95681-7_57Publisher
SpringerAdditional Links
https://link.springer.com/rwe/10.1007/978-3-319-95681-7_57Type
Book chapterLanguage
enDescription
This is a reference work entry.ISBN
9783319956800ae974a485f413a2113503eed53cd6c53
10.1007/978-3-319-95681-7_57
Scopus Count
Collections
The following license files are associated with this item:
- Creative Commons
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States

