Authors
Daly, TimAffiliation
University of ChesterPublication Date
2018-04-11
Metadata
Show full item recordAbstract
How do we conceptualise touch? Unlike most visual art, touch is a fundamental aspect of interacting with artists’ books and without such a physical interaction with the artefact it is impossible to fully make sense of it. Despite this, there is no obvious syntax for us to report our experiences of handling an artists’ publication. Without handling a book, entire swathes of intertextual nuances could be missed - the deliberate material choices of the artist and the reader’s own rich experiential past never get the chance to make meaning. It can be argued that handling books provides a type of tacit knowledge that is unavailable from viewing alone. Developing a framework for reporting this haptic experience applying notions from material culture (for touch) and from literary theory (for intertextuality) together into a discourse to enrich and enhance our understanding of artists’ book works.Citation
Daly, T. (2018). Book handling as a research method. The Blue Notebook: Journal for artists' books, 12(2), 54-61.Publisher
Impact Press PublicationsAdditional Links
https://www.bookarts.uwe.ac.uk/blue-notebook/Type
ArticleLanguage
enISSN
1751-1721EISSN
1751-1720Collections
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