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dc.contributor.authorDockwray, Ruth*
dc.date.accessioned2017-10-19T15:23:53Z
dc.date.available2017-10-19T15:23:53Z
dc.date.issued2016-11-30
dc.identifier.citationDockwray, R. (2017). Proxemic Interaction in Popular Music Recordings. In Hepworth-Sawyer, R. & Hodgson, J. (eds.) Mixing Music: Perspectives on Music Production. London, United Kingdom: Routledge
dc.identifier.isbn9781138182042
dc.identifier.urihttp://hdl.handle.net/10034/620666
dc.description.abstractThis paper discusses sonic spatialization and the notion of proxemics in recorded tracks. Spatialization or rather the spatial characteristics and positioning of sounds within a track, can directly influence the way a listener can formulate their own interpretation. Through the analysis of proxemic zones within the context of the ‘sound-box’, their impact in terms of interpersonal distance and listener engagement will be discussed along with potential meanings.
dc.language.isoenen
dc.publisherRoutledge
dc.subjectProxemics
dc.subjectSpatialisation
dc.subjectRecorded Music
dc.title‘Proxemic Interaction in Popular Music Recordings’
dc.typeBook chapter
dc.contributor.departmentUniversity of Chesteren
dc.date.accepted2016-11-01
or.grant.openaccessYesen
rioxxterms.funderunfundeden
rioxxterms.identifier.projectunfundeden
rioxxterms.versionAMen
rioxxterms.licenseref.startdate2217-01-01
html.description.abstractThis paper discusses sonic spatialization and the notion of proxemics in recorded tracks. Spatialization or rather the spatial characteristics and positioning of sounds within a track, can directly influence the way a listener can formulate their own interpretation. Through the analysis of proxemic zones within the context of the ‘sound-box’, their impact in terms of interpersonal distance and listener engagement will be discussed along with potential meanings.
rioxxterms.publicationdate2016-11-30
dc.date.deposited2017-10-19


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