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dc.contributor.authorObergöker, Timo*
dc.date.accessioned2017-06-05T16:15:02Z
dc.date.available2017-06-05T16:15:02Z
dc.date.issued2016-01-30
dc.identifier.citationObergöker, T. (2016). Masculinités postcoloniales dans Les Parapluies de Cherbourg et Les Demoiselles de Rochefort de Jacques Demy. In R. Lagabrielle & T. Obergöker (Eds.), La chanson dans le film français et francophone depuis la Nouvelle Vague. Würzburg: Verlag Könighausen & Neumannen
dc.identifier.isbn9783826056406
dc.identifier.urihttp://hdl.handle.net/10034/620524
dc.description.abstractThis text explores how popular cultures negotiates new forms of masculinity after the loss of the French colonies in 1962.
dc.language.isofren
dc.publisherKönigshausen und Neumann.en
dc.relation.urlhttps://www.verlag-koenigshausen-neumann.de/product_info.php/info/p8133_La-chanson-dans-le-film-fran-ais-et-francophone-depuis-la-Nouvelle-Vague-.htmlen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/en
dc.subjectMasculinityen
dc.subjectPostcolonialismen
dc.subjectPopular cultureen
dc.titleMaculinités postcoloniales dans Les Parapluies de Cherbourg et Les Demoiselles de Rochefort de Jacques Demyfr
dc.typeBook chapteren
dc.contributor.departmentUniversity of Chesteren
dc.date.accepted2015-10-15
or.grant.openaccessYesen
rioxxterms.funderUnfundeden
rioxxterms.identifier.projectUnfundeden
rioxxterms.versionAMen
rioxxterms.licenseref.startdate2216-01-30
html.description.abstractThis text explores how popular cultures negotiates new forms of masculinity after the loss of the French colonies in 1962.


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