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dc.contributor.authorDaly, Tim*
dc.date.accessioned2017-03-31T09:44:51Z
dc.date.available2017-03-31T09:44:51Z
dc.date.issued2012-07-22
dc.identifier.citationDaly, T. (2012). Reinstating touch in the documentary photobook. In T. Wilkie, J. Carson, & R. Miller (Eds.), Photography and the Artist's Book (pp 272-295). Boston: Museums Etc.
dc.identifier.isbn9781907697500
dc.identifier.urihttp://hdl.handle.net/10034/620459
dc.description.abstractCollections of photographs by photographers are rarely envisioned in the book form, but instead use the medium solely as an alternative distribution channel. In addition, most critically respected photographic publications are rightly perceived as surrogates for the gallery print; for the history of photography has fetishised the experience of viewing an original above all else. I propose that authored documentary photography books can become super-sensory works, documents of participation, intervention and touch.
dc.language.isoenen
dc.publisherMuseums Etc.
dc.relation.urlhttp://museumsetc.com/products/artists
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/en
dc.subjectphotography
dc.subjectmaterial culture
dc.subjectartist book
dc.subjecttouch
dc.titleReinstating Touch in the Documentary Photobook
dc.typeBook chapter
dc.contributor.departmentUniversity of Chesteren
dc.date.accepted2012-01-20
or.grant.openaccessYesen
rioxxterms.funderunfundeden
rioxxterms.identifier.projectunfundeden
rioxxterms.versionAMen
rioxxterms.licenseref.startdate2212-07-22
html.description.abstractCollections of photographs by photographers are rarely envisioned in the book form, but instead use the medium solely as an alternative distribution channel. In addition, most critically respected photographic publications are rightly perceived as surrogates for the gallery print; for the history of photography has fetishised the experience of viewing an original above all else. I propose that authored documentary photography books can become super-sensory works, documents of participation, intervention and touch.


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