• The Significance of Gefühl for the development of Karl Barth’s Theological Anthropology 1909–1938

      Fulford, Ben; Clough, David; Templeton, Julian B. (University of Chester, 2021-10-01)
      This dissertation employs the work of late twentieth century and early twenty-first century affect theorists as a heuristic approach to Karl Barth’s theological anthropology. In Barth’s theology, Gefühl, usually translated as ‘feeling’, is the concept most like affect. From 1909 Barth’s earliest published theological writing and his early sermons show evidence of considerable alignment with Friedrich Schleiermacher’s approach in allocating a central place to experience and affection in the reception of divine revelation. However, Barth becomes aware of the conceptual weaknesses of the modernist appeal to experience. Then, the outbreak of war and the misguided fervor with which some of his theological teachers support Germany’s military aggression contributes to Barth’s gradual loss of confidence in the entire modernist theological approach. The critical view that Barth takes of Schleiermacher’s concept of Gefühl and its relationship to revelation is pivotal to the theological anthropology that Barth begins to develop in deliberate contradistinction to that of Schleiermacher. Barth constructs a theology of faith as the dialectical witness to the objective revelation of the Word of God. Barth proposes that the missions of the Father, Son, and Holy Spirit can reorientate alienated subjectivity. However, at a deeper level Barth’s description of the missions of the Trinitarian persons do not penetrate the affective centre of the human being. What Barth needs is a pneumatological description of the way in which divine activity works with the human being’s receptivity and spontaneity. In Church Dogmatics I/1 and I/2 he rehabilitates Gefühl by de-coupling it from Schleiermacher’s ‘feeling of absolute dependence’. He formally reconceptualises Gefühl as an affective self-determination in response to God’s sovereign determination. The addition of the concept of ‘analogy’ enables Barth to affirm that human self-determination participates in Christ’s self-determination through the Spirit’s outpouring. As a result, Barth can affirm that thinking, willing, and Gefühl are in no sense diminished in the person who in faith corresponds analogically to grace. In addition, reconceiving human spontaneity as a response to and participation in God’s sovereign activity makes it possible to affirm that divine activity and human spontaneity belong together and are consistent with one another. However, Barth’s recognition of Gefühl remains at the formal level with little material development. Nonetheless, at the formal level the concept of analogical participation has enabled Gefühl to be rehabilitated. Therefore, I conclude that Gefühl is significant in the development of Barth’s theological anthropology.
    • Temple, sex, gender and society

      Graham, Elaine (SAGE Publications, 2022-07-04)
      This article gives an overview of the main economic, legal and cultural changes around the role of women, debates about gender identity and patterns of marriage and the family that have taken place over the past 80 years since Christianity and Social Order was first published.
    • The Independent Schools Religious Studies Association Report Religion and Worldviews (Weltanschauung) June 2022 - A Personal Response

      Dossett, Wendy; University of Chester (Reforming RE, 2022-07-02)
      A personal reponse to the 2022 ISRSA statement on the 2018 proposals of the Commission for Religious Education.
    • The Christian Landscape of Early Medieval Chester and Wirral

      Pickles, Thomas; University of Chester
      This chapter reflects on the impact of Scandinavian raiding, trading, and settlement on the Christian landscape of Chester and Wirral through a reconsideration of the textual, material, and place-name evidence.
    • Why do some things become more mobile 1000-1700?

      Pickles, Thomas; University of Chester
      This chapter reflects on why there was an increase in the range and volume of things in circulation from 1000-1700, the models that historians have developed to explain this, and the value of a thing-centred approach, thereby drawing together the insights from earlier papers in this edited collection.
    • The Nineteenth-Century prostitute: how the sexual ‘other’ reclaimed power through deliberate dressing

      Geary-Jones, Hollie; University of Chester
      The paper argues that nineteenth-century prostitutes reclaimed power through deliberate dressing. It explores how the dominant social body in England relied on clothing as a means of identification. As the public gaze formed identity, dress supposedly betrayed class status and moral standing. The paper argues that clothing served as a preventative social tool as it was used to identify sexual ‘Others’. Exploring the social obsession with sexual categorization, it reviews the clothing stereotypes used to identify prostitutes. To escape condemnation, prostitutes avoided typecasts and assumed the guise of ‘moral’ women. By misinforming the public gaze, they evaded the confines of their ‘deviant’ status. Constructing their own identity through deliberate dressing, they reclaimed power from the dominant social body. Able to move undetected through ‘moral’ hierarchies, they threatened the stability of the social order. To explore how stereotypes became embedded in cultural ideology; the paper draws upon streetwalker depictions from Oliver Twist (1838) by Charles Dickens and Mary Barton (1848) by Elizabeth Gaskell. It examines how fashion journals and ‘moral’ commentators also perpetuated typecasts. Although stereotypes pertaining to prostitutes have been identified by scholars, they have overlooked how streetwalkers exploited this practice. Ultimately, the paper demonstrates how clothing stereotypes have been used by sexual ‘Others’ to subvert identity. It reveals how individuals can disrupt the power of the dominant social body through deliberate dressing. Although this study focuses on nineteenth-century prostitutes, the argument can be applied to any era. As dress is used to construct identity, the process of stereotyping can be manipulated for personal gain.
    • The Nineteenth-Century Sex Worker: Avoiding Surveillance, Stereotypes, and Scandal

      Geary-Jones, Hollie; University of Chester
      The subject of female sex work was a source of scandal throughout the nineteenth century. This chapter explores the writing of two males who defied the conventional approach to the topic, publishing three controversial texts which presented the female sex worker in an unseen light. Initially, the chapter studies William’s Acton Prostitution Considered in its Social, Moral, and Sanitary Aspects (1857, 1870) as a concerted effort to suppress the subject of female sex work. Geary-Jones analyzes Acton’s deeply rooted beliefs surrounding the working-class sex worker, investigating his traditional narratives that advocated and then supported the regulation of female sex work during the first and second editions of his publication. In particular, Geary-Jones examines the physician’s attack against a series of sex worker stereotypes which had been firmly embedded in cultural ideology since the beginning of the century. These stereotypes come under scrutiny in George Gissing’s Workers in the Dawn (1880) and The Unclassed (1884), demonstrating the author’s defiance of any conventional approach to the topic of female sex work in both his novels and personal relationships, resulting in scandal. This analysis is positioned against the cultural impact of the Contagious Diseases Acts (1864, 1866, 1869) in England and Jeremy Bentham’s The Panopticon Writings (1791).
    • ‘Coursing the Tinkerley Fox’: Tactics of Garrison Warfare in the West Midlands during 1643 and 1644

      Worton, Jonathan; University of Chester (Taylor and Francis, 2022-02-08)
      A military defeat for the parliamentarians in south Staffordshire in March 1644 involved the capitulation of their outpost at Stourton Castle to Worcestershire royalists. The beaten parliamentary commander was Colonel John Fox, who in autumn 1643 had established a garrison near Birmingham at Edgbaston. This, like Stourton Castle in turn, was one of a number of strongholds in the West Midlands the opposing sides held as a strategy for territorial control. Indeed, much of the fighting of the English Civil War of 1642-6 involved clashes between local garrison-based forces, sometimes fought for the possession of rival strongpoints. In March 1644 Fox enabled the parliamentarian seizure of Stourton Castle for reasons that also impelled inter-garrison warfare elsewhere. The subsequent short campaign to besiege or relieve the castle is reconstructed here, as a case study of the tactics and conduct of the localised military action that shaped the course of the wider war.
    • Hebrews, Allegory, and Alexandria

      Middleton, Paul; Edwards, Owen C. (University of Chester, 2021-04-01)
      The problem this dissertation addresses is at face a simple one: in the very specific case of Hebrews 7.1-3, what interpretive move is the author using to interpret the Old Testament, when he offers a comparison between Jesus and the mysterious figure of Melchizedek? However, the answer quickly becomes complicated due to the inadequacy of our terminology, where “typology” and “allegory” – the most common interpretive moves assigned to Hebrews 7.1-3 in the scholarship – take on medieval or modern meanings rather than definitions available to the ancient authors themselves. This dissertation explores the historical background to figural and non-literal readings of sacred texts, considering in turn Greek, Jewish, and Christian readers. Each group of readers considered provides necessary context for interpretive activity in Hebrews. Greek allegorists provide the idea of a religiously or philosophically encoded text via the Homeric allegorists and their critic Plato. They also provide the actual ancient definition of the term “allegory”, as a rhetorical trope involving extended metaphor and poetic hinting by an author, which might include techniques ranging from metonymy to numerology to concept-for-concept substitution. Jewish allegorists – Aristeas, Aristobulus, and Philo – make the distinctive move to seeing a text as encoded not by a human poet like Homer or Orpheus, but by the great divine Author, God. When turning to Christian allegorists, a natural touchstone is Paul – who uses the term allegory in Galatians – but Jesus himself and (Pseudo)-Barnabas also provide very important context for distinctively Christian allegorical reading, particularly involving the Christological fulfilment of hints laid by God in the sacred history of the Old Testament (that is, “typology”). Trajectories in allegorical exegesis in early Christianity are considered, to examine the latent tendencies within the form. Finally, the definitions and understanding gained are turned to use in analysing exegesis in Hebrews, where 7.1-3 – and several other texts – are read against the background of Hellenistic literary allegory.
    • The Competing Values of Elim Leaders in Northern Ireland: A Theological and Practical Response

      Firth, Peter; Luke, David; Moore, Hamilton; Patterson, Mark G. (University of Chester, 2021-12-01)
      This thesis identifies how competing values divided transgenerational leaders from the Elim Movement in Northern Ireland (NI) over the last four decades. Divisions increased between leaders with competing values after changes to long-held beliefs and practices, which they never openly discussed until this research. This thesis also uses theological reflection to suggest how the situation may improve for leaders with competing values if they unite relationally to limit divisions and embrace their diversity. As an Elim leader, the researcher’s position allowed access to interview ten colleagues from NI for a qualitative investigation into their competing values in a field ready for extensive doctoral research. The “four voices of theology” model provided the structure for focused engagement with literature and empirical research to systematically examine four areas where leaders’ values competed: core principles, perspectives, differences and changes. The researcher reflected theologically on the field results to justify a unifying model that was always available but never intentionally prioritised. This model includes unifying values from the Apostles’ Doctrine and Fellowship in Acts 2:42 that leaders can prioritise in future collaboration. This thesis shows that it is apposite for Elim leaders to unite in closer relationships to embrace their diversity. Moreover, as a collaborative critique, this thesis hopes to contribute to practical theology by determining how Elim leaders’ competing values in NI are inevitable and can stop or stimulate progress for future practitioners and researchers.
    • Mobility of Objects Across Boundaries 1000-1700

      Wilson, Katherine A.; Clark, Leah R.; University of Chester; University of Oxford
      During the period 1000-1700 major transformations took place in material culture. Quite simply, more objects were manufactured and used than ever before and many objects travelled across geographic, political, religious, linguistic, class and cultural boundaries. By starting with a focus on past objects, this volume brings together essays from art historians, historians, archaeologists, literary scholars and museum curators to reveal the different disciplinary approaches and methods taken to the study of objects and what this can reveal about transformations in material culture 1000-1700. Contributors: Katherine A. Wilson, Leah R. Clark, Alison M. Leonard, Steven P. Ashby, Michael Lewis, Robert Maniura, Sarah Hinds, Christina Antenhofer, Alexandra van Dongen, Bettina Bildhauer, Julie De Groot, Jennifer Hillman, Ruth Whelan, Christopher Donaldson, Thomas Pickles.
    • Framing and Translation: Introduction

      Wilson, Katherine A.; Clark, Leah R.; University of Chester; University of Oxford
      During the period 1000-1700 major transformations took place in material culture. Quite simply, more objects were manufactured and used than ever before and many objects travelled across geographic, political, religious, linguistic, class and cultural boundaries. By starting with a focus on past objects, this volume brings together essays from art historians, historians, archaeologists, literary scholars and museum curators to reveal the different disciplinary approaches and methods taken to the study of objects and what this can reveal about transformations in material culture 1000-1700. Contributors: Katherine A. Wilson, Leah R. Clark, Alison M. Leonard, Steven P. Ashby, Michael Lewis, Robert Maniura, Sarah Hinds, Christina Antenhofer, Alexandra van Dongen, Bettina Bildhauer, Julie De Groot, Jennifer Hillman, Ruth Whelan, Christopher Donaldson, Thomas Pickles.
    • Thresholds and Boundaries: Introduction

      Wilson, Katherine A.; Clark, Leah R.; University of Chester; University of Oxford
      During the period 1000-1700 major transformations took place in material culture. Quite simply, more objects were manufactured and used than ever before and many objects travelled across geographic, political, religious, linguistic, class and cultural boundaries. By starting with a focus on past objects, this volume brings together essays from art historians, historians, archaeologists, literary scholars and museum curators to reveal the different disciplinary approaches and methods taken to the study of objects and what this can reveal about transformations in material culture 1000-1700. Contributors: Katherine A. Wilson, Leah R. Clark, Alison M. Leonard, Steven P. Ashby, Michael Lewis, Robert Maniura, Sarah Hinds, Christina Antenhofer, Alexandra van Dongen, Bettina Bildhauer, Julie De Groot, Jennifer Hillman, Ruth Whelan, Christopher Donaldson, Thomas Pickles.
    • Introduction: The Mobility of Objects Across Boundaries 100-1700

      Wilson, Katherine A.; Clark, Leah R.; University of Chester; University of Oxford
      During the period 1000-1700 major transformations took place in material culture. Quite simply, more objects were manufactured and used than ever before and many objects travelled across geographic, political, religious, linguistic, class and cultural boundaries. By starting with a focus on past objects, this volume brings together essays from art historians, historians, archaeologists, literary scholars and museum curators to reveal the different disciplinary approaches and methods taken to the study of objects and what this can reveal about transformations in material culture 1000-1700. Contributors: Katherine A. Wilson, Leah R. Clark, Alison M. Leonard, Steven P. Ashby, Michael Lewis, Robert Maniura, Sarah Hinds, Christina Antenhofer, Alexandra van Dongen, Bettina Bildhauer, Julie De Groot, Jennifer Hillman, Ruth Whelan, Christopher Donaldson, Thomas Pickles.
    • My Friend, the Queen, an historical novel, with an accompanying Critical Commentary, Historical Fiction in the 21st Century: its Purpose and Practice

      Rees, Emma; Wall, Alan; Jones, Sheila (University of Chester, 2022-04)
      1509. On the day of the Coronation of the new young King and his Spanish Queen, eight-year-old Kat Champernowne goes to live and work at Hever Castle. There she strikes up a friendship with the family’s middle child, Anne: it is a lifelong bond that will take her to France, to London, to the birth of a Princess, and to the execution of a Queen. My Friend, the Queen is a feminist novel in the historical literary fiction genre, which presents the story of Anne Boleyn from an original perspective. Its protagonist, Kat Champernowne, more familiarly known by her married name of Ashley, is a real person whose early life has not previously been voiced. Throughout the substantive part of my thesis - the novel - she narrates her own story, closely intertwined with that of Anne Boleyn, from their imagined first meeting at Hever to Anne’s beheading in 1536. My Critical Commentary begins by tracing the trajectory and evolution of historical fiction from 1971. Drawing on the experience of undertaking a practice-based PhD, I then examine the relationship between history and fiction, linking my analysis of historical fiction’s current purpose and practice to the research and methodologies I employ in synthesising ‘fact’ and ‘fiction’ into a cohesive whole. I incorporate both critical and theoretical issues, as well as drawing on the works and methodology of other novelists, to delineate the role and status of historical fiction in the twenty-first century from the viewpoints of both a practitioner and a theorist.
    • Industrial Gentlemanliness: The fin-de-siècle adventure hero in text and image, 1870-1914

      Fegan, Melissa; West, Sally; Hall, Leo J. (University of Chester, 2021-11)
      This thesis identifies and examines representations of English heroic masculinities in imperialist adventure stories at the end of the nineteenth century. It contends that fin-de-siècle adventure stories are products of Victorian industrial, technological, and scientific developments. The chapters trace this context through analysis of Robert Louis Stevenson’s Treasure Island (1883), Edgar Rice Burroughs’s Tarzan of the Apes (1912), Jules Verne’s Around the World in Eighty Days (1873), and Arthur Conan Doyle’s The Lost World (1912). A significant aspect of the texts is how their perspectives on the English identities of their heroes are informed by their authors’ ‘outsider’ status, for Stevenson and Conan Doyle were Scottish (the latter of Irish Catholic descent), Burroughs was American, and Verne was French. The Introduction to the thesis argues that central to identifying the relationship between the adventure hero and industrialisation are the original illustrations that were printed with the stories. These create intertextual and paratextual frames, showing how the context of industrial modernity moulds the fin-de-siècle masculine body and mind. The partnership between text and illustrations exposes the complex relationship between industrial modernity and heroic masculinity, particularly, the construction of an idealised gentlemanly identity and gendered performance. Stevenson claimed that penny dreadfuls influenced his development of characters and the action of Treasure Island, and Chapter One traces the impact of nineteenth-century print culture and the growth and dissemination of popular fiction in relation to both Stevenson’s Treasure Island and Burroughs’s Tarzan. Simultaneously, the influence of mid-century discourses regarding ideas of self-help and industriousness are analysed in the portrayals of Stevenson’s characters, especially the pirate Long John Silver. Chapter Two focuses on the topic of mobility and how the industrialised travel space is negotiated by adventurers. Verne’s Around the World demonstrates how international travel became more accessible, and how the speed of travel impacts on the curiosity of the orientalist traveller. Despite Phileas Fogg’s lack of engagement with his journey, a connection is established between the traveller and his immediate industrialised travel space. This is accentuated when Fogg is forced to use ‘exotic’ modes of transport, which ironically serve to delineate his Englishness, especially when placed against the other voices and behaviours of his fellow travel companions. Chapter Three identifies the psychological and physiological impact of science, industrialisation and technology upon Conan Doyle’s adventurers, showing how this is exposed during encounters abroad. The identity of the adventure heroes in these novels is moulded by a Western masculine heteronormative construct that is characterised by a visible gendered performance. This performance includes the body and its clothing and accessories. As the thesis argues, the fin-de-siècle adventure hero has a Janus-faced identity; constructed against a romanticised vision of the past and a nostalgic ideal of gentlemanliness, but also forward-looking in terms of forging a future for Britain through the imperialist dream. The thesis demonstrates that the adventure story is a paradox: an outcome of invention, scientific, technological and industrial progress, yet also a supposed escape from nineteenth-century industrial modernity.
    • Moving 'out' to be 'in': the suburbanization of London Jewry, 1900-1939

      Ewence, Hannah; University of Chester (Cambridge University Press, 2022-04-19)
      Between 1900 and 1939, Jewish Londoners departed the East End for the suburbs. Relocation, however, was not always the result of individual agency. Many Jews became the object of institutional strategies to coerce and persuade them to disperse away from inner-city areas. Simultaneous to this was the emergence of a dominant pro-suburban rhetoric within and beyond Jewish cultural circles, which aimed to raise aspirations towards middle-class lifestyles. This striking suburban ‘urge’ amongst London Jewry, managed by the community's elite institutions and leaders, was far more than a phenomenon running parallel to wider British society. As this article argues, it was a decisive response to an insidious culture of intolerance and antisemitism.
    • Assemblages within assemblages: Understanding mortuary practice through compact contained assemblages

      Williams, Howard; Downer, Abigail C. (University of Chester, 2021-05)
      Amulet-interpretation remains a long-standing practice in early medieval mortuary archaeology that removes mortuary objects from their funerary contexts and cloaks diverse object-meanings under misleading terminology. This thesis presents an original methodology inspired by recent hoard studies and previous studies on the spatial positioning of objects in graves. The thesis aims to explore the multifactorial significance of objects through their spatial-positioning and clustered dispositions (compact contained assemblages, CCAs) with late sixth-, early and/or broadly seventh-century inhumed females from three regions in early medieval Europe: Alsace, Kent, and East Anglia. Specifically, it will explore with whom and how many objects often categorised as ‘amulets’ are deposited. The methodology is devised and deployed in two ways to test its efficacy at understanding mortuary-object meaning. First, the approach is utilised to explore and compare the composition and spatial-placement of CCAs sharing at least one object-type in common with contemporaneous and regionally coherent individuals. Second, the approach explores and compares the spatial-positioning and method of containment of a single object-type/material. The material selected for this second application was amber given the amuletic role its often prescribed by archaeologists in early medieval mortuary contexts. Both approaches of this methodology produced overlapping results. Overall, CCAs were very common across all studied samples suggesting that object containment was a regular feature of late sixth-, broadly and early seventh-century inhumation-burial. Possible explanations for this trend include object-protection, post-mortem transportation, and post-mortem storage. Additionally, the spatial-positioning of CCAs in graves often reflected regionally specific grave-cut dimensions and regional tastes in funerary structures. The two applications also revealed some regular features of CCA-composition. First, similarly positioned, contemporaneous, and regionally congruent female-CCAs often contained similar object-types, indicating that these clusters were deliberate and planned compositions that prescribed to larger contemporaneous and localised inhumation-grave layouts. In these similarly positioned and contemporaneous female-CCAs with similar object-types, the similar objects often exhibited unique decoration, possessed divergent forms, and/or were accompanied by a different object-types and object-quantities. This suggested that CCA-composition were a result of personalisation. The thesis ends with outlining future avenues of research and the utility of this approach in mortuary studies.