• 'The amazing cinematograph': Cinema and illusion in Francis Ford Coppola's Bram Stoker's 'Dracula'

      Foster, Paul G.; University of Chester (Chester Academic Press, 2009)
      This chapter considers the use of special effects designed to reflect the style of early cinema in the Francis Ford Coppola film version of Dracula.
    • The gaze and subjectivity in fin de siècle Gothic fiction

      Baker, Brian; Foster, Paul G. (University of Liverpool (University of Chester), 2007-03-19)
      This thesis is concerned with the importance of the gaze in fin-de-siecle Gothic. One of the ways in which the importance of the gaze manifests itself is in the central role of the onlooker like Enfield, Utterson or Lanyon in Robert Louis Stevenson's Stange case of Dr Jekyll and Mr Hyde (1886), Prendick In H.G. Well's Island of Dr Moreau (1896), or Harker in Bram Stoker's Dracula (1897). As their appelation suggests, Wells's Beast Men confound the distinction between the human and the animal, which is also the case with 'Beast Men' like Hyde and Dracula. A central concern of the thisis is the perceptual drama that is involved in looking at the spectacle of the monstrous body, for excample, as the onlooker struggles to get to grips with the challenge to representation posed by these 'Beast Men'.