Browsing Faculty of Arts and Media by Publisher "University of Chester Press"
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Drawing: Looking and thinking: Marks and meaningThe catalogue of an exhibition that was the result of an invitation from the Grosvenor Museum, Chester, to John Renshaw to make a personal selection from the Museum's permanent collection of drawings and to offer his own interpretation of the range of images that he chose. The exhibition was timed to coincide with Drawing Power, a national campaign to promote the skill of drawing, which took place during October 2005. However, it is the author's belief that the significance of an image and its potential meanings reside in the mind of the person looking at it, and are not fixed. Visitors to the exhibition were therefore offered the opportunity, not only to look at the images and reflect upon them, but also to record their own impressions, and so the catalogue contains, in addition to images of the 30 chosen drawings and the author's own interpretations, dedicated spaces to accomodate personal notes and drawings.
Shades of expression: Online political journalism in the post-colour revolution nationsThe Colour Revolutions in the former Soviet Union were arguably the twenty-first century’s first successful attempts to overthrow political elites through mass protest and civic society activism. They are of intrinsic interest to media scholars because concepts of media freedom were located at the heart of the protests against semiautocratic post-Communist regimes and have continued to characterise political debate in Georgia, Ukraine and Kyrgyzstan. The ideals that underpinned the events were echoed several years later in the Arab world, and both initially involved influential networks of activists ranged against political elites. The events of the Arab Spring were often facilitated and given added impetus by the advances in news media technology which had taken place over the latter half of the decade and which allowed for more effective networked communications and a more open public sphere to thrive, even in autocratic environments. But while the role of evolving media technologies has been extensively analysed and critiqued in the context of the Arab world, its use in the more mature post-Revolution environments of the former Soviet Union has been largely overlooked. This book captures a “snapshot” of the contemporary role of online journalism in rapidly evolving post-Soviet, post-Colour Revolution political environments, exploring the wider journalistic and political context alongside the use and influence of online news sites. In particular, it aims to fill a gap in the literature by undertaking qualitative work in the post-Colour Revolution nations which seeks to assess the views of active journalists on the role of online political journalism in those environments.