AffiliationUniversity of Chester
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AbstractVictorian sensation novels, with their compulsive plots of crime, transgression and mystery, were bestsellers. Deborah Wynne analyses the fascinating relationships between sensation novels and the magazines in which they were serialized. Drawing upon the work of Wilkie Collins, Mary Braddon, Charles Dickens, Ellen Wood, and Charles Reade, and such popular family journals as All The Year Round, The Cornhill, and Once a Week, Wynne highlights how novels and magazines worked together to engage in the major cultural and social debates of the period.
CitationWynne, D. (2001). The Sensation Novel and the Victorian Family Magazine. Basingstoke, United Kingdom: Palgrave Macmillan.
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Women and Personal Property in the Victorian NovelWynne, Deborah; University of Chester (Ashgate, 2010-11-28)How key changes to the married women’s property laws contributed to new ways of viewing women in society are revealed in Deborah Wynne’s study of literary representations of women and portable property during the period 1850 to 1900. While critical explorations of Victorian women’s connections to the material world have tended to focus on their relationships to commodity culture, Wynne argues that modern paradigms of consumerism cannot be applied across the board to the Victorian period. Until the passing of the 1882 Married Women’s Property Act, many women lacked full property rights; evidence suggests that, for women, objects often functioned not as disposable consumer products but as cherished personal property. Focusing particularly on representations of women and material culture in Charles Dickens, George Eliot and Henry James, Wynne shows how novelists engaged with the vexed question of women’s relationships to property. Suggesting that many of the apparently insignificant items that ‘clutter’ the Victorian realist novel take on new meaning when viewed through the lens of women’s access to material culture and the vagaries of property law, her study opens up new possibilities for interpreting female characters in Victorian fiction and reveals the complex work of ‘thing culture’ in literary texts.
Critical Responses to SensationWynne, Deborah; University of Chester (Blackwell, 2011-07-01)This chapter discusses the reception of the 1860s sensation novel in the Victorian period, and charts the critical responses to the genre throughout the twentieth and twenty-first centuries.
British Settler Emigration in Print, 1832-1877Piesse, Jude; University of Chester (Oxford University Press, 2015-12-24)An unprecedented number of emigrants left Britain to settle in America, Australia, Canada, and New Zealand during the Victorian period. Utilizing new digital resources and methodologies alongside more traditional modes of scholarship, British Settler Emigration in Print, 1832-1877 presents the first book-length study of the periodical print culture that imagined, mediated, and galvanized this important stage of empire history. It presents extensive new research on how settler emigration was registered within Victorian periodicals and situates its focus on British texts and contexts within a broader, transnational framework. The book argues that the Victorian periodical was an inherently mobile form which had an unrivalled capacity to both register mass settler emigration and moderate its disruptive potential. Part one focuses upon settler emigration genres that featured within mainstream, middle-class periodicals, incorporating the analysis of emigrant voyage texts, emigration themed Christmas stories, and serialized novels about settlement. These genres are cohesive, domestic, and reassuring, and thus of a different character from the adventure stories often associated with Victorian empire. Part two examines a feminist and radical periodical emigration literature that often challenged dominant settler ideologies. Alongside its examination of ephemeral emigration texts, the book offers fresh readings of key works by Charles Dickens, Anthony Trollope, Edward Bulwer-Lytton, Thomas Martin Wheeler, and others. Ultimately, the book shows how periodical settler emigration literature transforms our understanding of both the culture of Victorian empire and Victorian literature and culture as a whole. It also makes significant intersections into debates about periodical form and the role of digitization within Victorian Studies.