• A Collaborative Haiku Experiment: An Invitation to Cultivate a Spirit of Connection for Wellbeing

      Wall, Tony; Hopkins, Sandra; Smith, Aimee; University of Chester; University of Chester; Independent (Lapidus: The Writing for Wellbeing Organisation, 2016-08-01)
      We have adopted the teikei approach of haiku (定型, or fixed form) which employs the 5-7-5 pattern (the symmetrical 5 syllables, 7 syllables, 5 syllables pattern). Three people with an interest in writing, haiku, and wellbeing got together to explore the world of haiku via provocation through the medium of Stumbled Upon (www.stumbleupon.com) to explore what perspectives on the virtual and real world we might create...
    • Revisiting impact in the context of workplace research: a review and possible directions

      Wall, Tony; Bellamy, Lawrence; Evans, Vicky; Hopkins, Sandra; University of Chester (Emerald, 2017-12-04)
      The purpose of this paper is to revisit the scholarly impact agenda in the context of work-based and workplace research, and to propose new directions for research and practice. This paper combines a contemporary literature review with case vignettes and reflections from practice to develop more nuanced understandings, and highlight future directions for making sense of impact in the context of work-based learning research approaches. This paper argues that three dimensions to making sense of impact need to be more nuanced in relation to workplace research: (1) that interactional elements of workplace research processes have the potential for discursive pathways to impact, (2) that presence (and perhaps non-action) can act as a pathway to impact, and (3) that the narrative nature of time means there is instability in making sense of impact over time. The paper proposes a number of implications for practitioner-researchers, universities/research organisations, and focus on three key areas: the amplification of research ethics in workplace research, the need for axiological shifts towards sustainability, and the need to explicate axiological orientation in research. This paper offers a contemporary review of the international impact debate in the specific context of work-based and workplace research approaches.
    • Storytelling for sustainable development

      Wall, Tony; Rossetti, Lisa; Hopkins, Sandra; University of Chester; Positive Lives; Lapidus International (Springer, 2019-05-28)
      The use of stories in higher education crosses a number of sustainable development dimensions, including the relationships between humans and the environment, but also for healing and well-being purposes. Although ‘story’ is often used synonymously with the terms ‘narrative’ or ‘narrative inquiry’, others view the notion of ‘story’ as having a special structure and utility (as will be discussed below) (e.g. Gabriel, 2000; Denning, 2011). Moon (2010: i) explains that stories are omnipresent in daily life, and can include “narrative, case study, life history, myth, anecdote, legend, scenario, illustration or example, storytelling and/or critical incident” and can be “‘told’ in many ways – spoken, written, filmed, mimed, acted, presented as cartoons and/or as new media formats”. In relation to sustainable development, Okri (1996) describes the role of the story as being vital to maintaining collective health: "A people are as healthy and confident as the stories they tell themselves. Sick storytellers can make nations sick. Without stories we would go mad”. Similarly, Gersie (1992) argues that storytelling inherently considers our current concerns about the Earth and the future, as it formats our “understanding [of] the many ways in which we value and devalue our beautiful green and blue planet… [the] practical insight into approaches to our most persistent environmental difficulties.” (Gersie, 1992: 1). As such, storytelling in the context of sustainable development is recognised as having a deeply educational function, “passing on accumulated knowledge and traditions of culture” (Stevenson, 2002: 187) in ways which allow for a greater ‘stickiness’ because “stories allow a person to feel, and see, the information, as well as factually understand it … you ‘hear’ the information factually, visually and emotionally” (Neuhauser 1993: 4).