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dc.contributor.authorChantler, Ashley*
dc.contributor.authorHawkes, Rob*
dc.date.accessioned2015-02-25T13:31:38Zen
dc.date.available2015-02-25T13:31:38Zen
dc.date.issued2014-01-01en
dc.identifier.citationA. Chantler, & R. Hawkes (Eds.), Ford Madox Ford's Parade's End: The First World War, culture, and modernity (Amsterdam and New York: Rodopi, 2014).en
dc.identifier.isbn9789042038639en
dc.identifier.urihttp://hdl.handle.net/10034/345302en
dc.descriptionThis edited book is not available through ChesterRep.en
dc.description.abstractParade’s End is the subject of the fifteen essays here, by both established experts and new scholars. The volume includes groundbreaking work on the psycho-geography of the war in Ford’s novels; on how the war intensifies self-consciousness about performance and sensation; and on the other writers and artists Ford drew upon, and argued with, in producing his post-war masterpiece.
dc.language.isoenen
dc.publisherRodopien
dc.relation.urlhttp://www.brill.comen
dc.relation.urlhttp://www.brill.com/products/book/ford-madox-fords-parades-enden
dc.subjectFord Madox Forden
dc.subjectParade's Enden
dc.subjectWorld War Ien
dc.subjectmodernismen
dc.titleFord Madox Ford's Parade's End: The First World War, culture, and modernityen
dc.typeBooken
dc.contributor.departmentUniversity of Chester ; University of Teessideen
html.description.abstractParade’s End is the subject of the fifteen essays here, by both established experts and new scholars. The volume includes groundbreaking work on the psycho-geography of the war in Ford’s novels; on how the war intensifies self-consciousness about performance and sensation; and on the other writers and artists Ford drew upon, and argued with, in producing his post-war masterpiece.
rioxxterms.publicationdate2014-01-01
dc.date.deposited2015-02-25


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