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dc.contributor.authorVincent, Alana M.*
dc.date.accessioned2014-10-03T09:13:29Zen
dc.date.available2014-10-03T09:13:29Zen
dc.date.issued2014-10-03en
dc.identifier.citationVincent, A. (2014). Topos and Utopia: The place of art in the Revolution. In E. Namli, J. Svenungsson, & A. M. Vincent (Eds.), Jewish thought, Utopia and Revolution (pp. 95-110). Amsterdam, Netherlands: Rodopi.en
dc.identifier.isbn9789042038332en
dc.identifier.urihttp://hdl.handle.net/10034/332064en
dc.descriptionThis is the author's post-refereed, pre-print version of an article published by Rodopi, 2014, reproduced with kind permission from Koninklijke Brill.en
dc.description.abstractThis book chapter discusses nationalism, art, and the invention of aniconism; the Bezalel School; and the Vitebsk School.
dc.language.isoenen
dc.publisherRodopien
dc.relation.urlhttp://rodopi.nlen
dc.subjectJewish arten
dc.subjectMaterialismen
dc.subjectHannah Arendten
dc.subjectChagallen
dc.titleTopos and Utopia: The place of art in the Revolutionen
dc.typeBook chapteren
dc.contributor.departmentUniversity of Chesteren
html.description.abstractThis book chapter discusses nationalism, art, and the invention of aniconism; the Bezalel School; and the Vitebsk School.
rioxxterms.publicationdate2014-10-03


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