• The impact of work based learning: A creative exploration of learners’ experience

      Scott, Deborah S (University of Chester, 2019-03)
      The purpose of this thesis is to investigate the impact of work based learning through a creative exploration of learners’ experience. The impact expected in work based learning is at personal, professional and/ or organisational level, and might extend beyond the organisation, to social order. However, the nature and extent of impact is variable, and sometimes not evident at all. This variability and apparent lack of impact is of pedagogical and economic concern for all parties involved in the tripartite work based learning relationship: learners expect to perceive some benefit from undertaking such a course of study; higher education providers need to show relevance to the working world; organisations assume there will be operational or strategic outcome from their employees’ engagement in work based learning. Wider than this, the significance of learning of relevance to the United Kingdom’s productivity is articulated in the government’s Industrial Strategy (GOV.UK, 2017). The investigation takes a narrative research approach to explore the experiences of recent Masters graduates of a negotiated work based learning programme for distance learners. The data were analysed using the concepts of Thirdspace, equality, creativity, and critical reflection. The creation of play scripts is an innovative feature of this thesis, representing an interpretation of participants’ stories about their work based learning experience. This imagined embodiment of learners’ experience facilitated greater empathy and understanding, supporting a critical perspective on the nature of impact. Insights emerging from the research suggest that impact was experienced by all research participants, but varied in nature and extent due to factors such as employment position; self-confidence, self-perception and personal experience; the culture and economic position of the organisation. Some participants’ employment position supported their use of their work based learning to instigate organisational change. For others, a marginal employment position offered opportunity to use learning for professional development. However, marginalisation might also hinder impact beyond the personal when combined with other factors such as an organisation’s financial constraints, and might prevent enactment of emerging radical ideas about the social order. Even when impact was deep, it might not be overt. A further insight was that collaboration was significant in effecting impact. This investigation offers a new perspective on impact in the context of work based learning, which highlights the creative, subtle and emotional aspects. The findings prompt review of teaching, learning and assessment practice leading to identification of strategies to accommodate and support students’ performance and development.
    • The Out-of-School Creative Practice of an Art Teacher

      Bamber, Sally; Adams, Jeff; Lloyd-Johnson, Jude (University of Chester, 2018-12)
      This research aims to give a greater understanding of the impact my teaching role has on my creative practice as a self-portrait photographer. This aim has been researched and explored using self-portrait photography and personal experiences in and outside of the classroom. Using the street photographer Vivian Maier as inspiration, I have reflected on how using the techniques of another practitioner could influence my practice and teaching. Pursuant to this, I have produced a portfolio of Street and Home Life selfportraits. With the application of auto-ethnographic research methods and a/r/tography approaches, I explored the tensions and parallels within my creative practice and my role as a researcher and teacher. As a photographer, researcher and teacher, I have found that each of these roles and identities are intertwined and interlinked such that it is impossible to separate them. I found that my creativity does not generally follow a journey from initial starting point to final piece and taking photographs in the style of another photographer limited the generation of my own ideas. Therefore, as a result of my research, I propose that there are two types of art, school art and creative practitioner art. The former follows a set of rules and criteria and is primarily assessed on the merit of the pupil’s skill level by the schools’ examination board. The latter can be organic and sometimes stilted in its creation, but judged by either art critics or purchasers of the art practice.
    • The Neoliberal Educational “Imaginary” as experienced by a group of Primary School Headteachers

      Moran, Paul; Carr, Victoria L. C. (University of Chester, 2019-05-14)
      In this thesis I undertake a critical policy analysis in which I place education reform in the UK within the context of a changing social structure, transformed since the advent of neoliberalism in the 1970s, and examine the implications of reform on the role of primary school Headteachers. In particular, I situate my analysis within increased promotion of global economic competition and policy supported by neoliberal ideology in which the prevailing government seeks to retain legitimacy by claiming to institute reforms to improve education, whilst simultaneously reducing direct funding which is, in fact, destabilising it. Neoliberalism is a distinct political ideology that has flourished in the Western world over the last four decades and is based on theories of the free market; underpinned by economic efficiency, bureaucracy, rationality and measurable performativity. I look in detail at how the leadership of schools has changed, as a direct result of the implementation of new managerial instruments, and how resistance to these changes has been largely futile. Lacanian thinking would suggest that ideology which assumes education is a physical state that is inherently part of a democratic process, inextricably linked to politics, positively transformational and measurable, is in fact imaginary (Lacan, 2006). Our imaginary “order is embedded in the material word” and woven into the reality around us (Harari, 2012, p.127). It is within this ‘imaginary’ conceptualisation that my research is positioned. I present, and analyse, empirical data gathered from a number of primary school Headteachers from a range of contexts that outlines their lived experience as they attempt to navigate the, what could be described as, strongly surreal or ‘Kafkaesque’ (Löwy,1997) educational ‘imaginary’, as it is currently configured and, explore the efficacy of a forum that is used to support them as they therefore attempt the untenable. The significant issue of school context as an effect of how a school performs in testing regimes is substantial. It is clear that context greatly impacts on the extent to which Headteachers must shift their beliefs and practice to satisfy performative expectations. I conclude with an acknowledgement that to attempt to rationalise the educational ‘hyperreal’ without an appreciation of power and manipulation is impossible and, that the role of primary school Headteachers may only be plausible with the scaffold of forums such as the one examined within this research.
    • The LGBT+ Pupil as the Abject: An Ethnographic Exploration of Subjectivity and Discourse in UK Secondary Schools

      Moran, Paul; Wright, Anne-Marie; Clark, Natalie E. (University of Chester, 2018-11-22)
      According to many scholars, schools are the last bastion of permitted homophobia (Beadle, 2009; Grew, 2008; as cited in Formby, 2013). Primarily using the theories of Foucault, Kristeva and Butler, the thesis uses critical theory as a means to both understand and critically analyse the construction of subjectivity within and throughout discourse in the hetero-/cis-normative institution, and how this related to the potential abjection of LGBT+ pupils. Whilst it is agreed in this thesis that LGBT+phobia is still widespread in both schools and wider society, it was found in this research that the impact of direct LGBT+phobic discrimination was less evident. Instead, the discursive spaces where LGBT+phobia had been silenced were filled with hetero-/cis-normative discourse. Concomitantly, the impact of LGBT+ invisibility, the silencing of positive discourse surrounding sexuality and the institutional rejection of performative LGBT+phobia without cultural or organisational change meant there remained a negative impact on LGBT+ young people, despite a reduction in visible LGBT+phobia (DePalma and Atkinson, 2006/2010). Through the use of short vignettes taken from a period of ethnographic research, I have used discursive reflexivity to offer an alternative discourse surrounding the LGBT+ pupil in the school. In a thesis preoccupied with language, the institutional denial of appropriate language, the lack of positive space for LGBT+ young people to construct their identity and the potential risk of abjection from the hetero-/cis-normative institution are all highlighted as points for discussion. Viewed through a critical theory lens, the exemplars used to illustrate these complex theories are chosen from 72 workshops undertaken in schools with Year Nine pupils over a the 2015 to 2016 academic year in the Merseyside region, and also from self-identified LGBT+ young people (also in Year Nine during the academic year 2015 to 2016), who were part of discussions in an LGBT+ Youth drop in based in Liverpool city centre. Intertwining academic analysis and philosophical reflection, the research finds that not only is the LGBT+ pupil abject in the school, but this abjection is threefold. It is enacted by the institution, the peer group and by the internalised LGBT+phobia of the abjected pupil. In the conclusion, it is reflected upon how the impact abjection from school continues to affect LGBT+ people into adulthood.
    • Artist teachers and democratic pedagogy

      Adams, Jeff; Atherton, Frances; Hoekstra, Marike (University of Chester, 2018-09-28)
      Combining artistic practice with teaching is not unusual for teachers in the visual arts. A dual professional practice, which can be found throughout the field of art education with art teachers in all levels of education, requires a negotiation of roles and positions on a personal level and has impact on pedagogy. However, the binary opposition of artist versus teacher fails to comprise the diversity of practices where art making and teaching are combined. Not only does identification with artist or teacher vary, so does the extent to which the two disciplines are fused, to the point where it can be called a hybrid practice when the distinction between art and teaching is no longer relevant. The democratic nature of contemporary visual art making further problematises a singular model of artist teacher practice. In order to do justice to the personal strategies artist teachers employ in balancing their dual professional roles, this thesis proposes a multifaceted concept of artist teacher practice. In this thesis, the notion of hybridity and diversity in artist teacher practice and the implications for democratic models of teaching and learning is subject to both theoretical, empirical, and artistic inquiry. The employment of different lenses enables a multi-layered approach to a complex practice. By focusing on the knowledge incorporated in the practice of two Dutch artist teachers this thesis informs how artist teacher practice relates to models of democratic teaching and learning. The miniature dioramas visually explore my own perception of democratic learning spaces and add an extra auto-ethnographic layer of understanding to artist teacher pedagogy. Central in this thesis is the notion of a pedagogical thirdspace. A spatial representation of social realities helps to create a critical understanding of human life. A thirdspace is a place in the margins between reality and ideals (Soja, 1999). When binary models of understanding are exchanged for real-life knowledge of the pedagogical practice of artist teachers an ambiguous open space emerges, where there is room for experiential learning, uncertainty, risk-taking, care, equality, inclusion, tacit experience, sensitivity, play, flexibility, and conflict. The engaged pedagogy (hooks, 1994) of artist teachers emancipates learners because of the fact that the duality of the artist teacher invites learners to join in a democratic, living model of artistic practice.
    • An autoethnographic exploration of creative self-efficacy (CSE)

      Adams, Jeff; Bristow, Maxine; Smith, Helen (University of Chester, 2018-09-28)
      This autoethnographic study investigates my self-perception of my artistic abilities which I posit as my Creative Self Efficacy (CSE). This is a part-practice thesis which uses arts-based research methods to investigate shifting self-perceptions and understandings of creativity and how these may have influenced my visual arts practice. CSE can be defined as one’s view of and belief in one’s creative abilities. Many scholars have written about the power of self-efficacy to condition behavioural choices, motivations and persistence. This research provides an autoethnographic enquiry into how these self-beliefs can shape, limit or enhance the possibilities for creative practice. The primary aim is to better understand the relationship between my own CSE and the influence of these on my creative practice. Arts-based methods enabled me to explore this territory, allowing a self-awareness to be developed through responding to the self-judgements and doubts experienced during the creative process. Reflexive resonances between these experiences of self-efficacy and pedagogical implications were made and framed through the lenses of theories such as habitus and my different roles of artist, teacher and researcher. Main findings include the influences of social comparisons, parental socialisation, and approaches and attitudes to art-making to my CSE, culminating in an experimental shift in practice which embraces a process approach. These findings suggest implications for pedagogical practices and approaches to art-making which demonstrate awareness of self-evaluative judgements and embrace uncertainty, ambiguity and not knowing.
    • The experience of women as mature students in Higher Education

      Atherton, Frances; Hanrahan, Lindsay J. (University of Chester, 2018-08-30)
      There is a substantial body of knowledge into the factors that can influence women’s experiences of Higher Education (HE) such as social class, ethnicity and gender. Additionally, there is a significant focus on women and education in relation to their academic abilities such as comparing their achievement in terms of their gender. However, much of this research focuses on attainment between groups such as men and women or explores the impact of one specific characteristic. The principal aim of my study was to explore the experiences of a small group of women who had returned to education and entered HE. Through a series of conversations their unique stories were revealed, including the challenges and opportunities that they had encountered. The original contribution to knowledge that my study makes is in the way it documents five mature women’s experiences who traditionally would not have been expected to go to university. These women are working class, with caring responsibilities, who did not anticipate a time in their lives when they would continue into HE. To attain an undergraduate degree or professional qualification seemed beyond their particular sphere. In this study, the stories of five women over the age of twenty-one, returning to HE is captured and reveals the complex issues faced as they navigated their way through unfamiliar territory. During the research recurring themes emerged in the women’s experiences including personal motivations and aspirations, challenges to learning, networks of support and learning communities which shaped their time in HE. My ethnographic analysis of their stories is framed by my own experience of returning to HE and is viewed through the lens of feminist theory. The overall conclusions from the research reveal that the five women were able to complete their courses successfully and highlights a range of positive factors about returning to education including the opportunity to engage with fellow students, increasing personal confidence and independence and developing understandings, knowledge and skills. However, my study also illustrates the real barriers and constraints to learning that proved to be tough for the women to overcome both emotionally and practically. By examining several Marxist feminist writers such as Benston (1969) and Putnam Tong (1993), I recognised how women may be oppressed or restricted in their choices based on the numerous roles that they must perform in the home. For some of the women, attempting to study in addition to fulfilling other domestic and caring responsibilities proved to be very demanding. Overall, the research highlights the complexities that this group of non-traditional students face when attempting to improve their prospects and fulfil hitherto latent potential.
    • An exploratory study of women’s experiences regarding the interplay between domestic violence and abuse and sports events

      Garratt, Dean; Keeling, June J.; Moran, Paul; Swallow, Jodie (University of Chester, 2017-06)
      This qualitative study aimed to examine and critically explore women’s accounts as to how their abusive partner’s interest in sport (team combat sports in particular) impacted on the domestic violence and abuse they endured. The study was underpinned by feminist standpoint epistemology and Lacanian theory. Values aligning with feminist standpoint epistemology, such as the nature and balance of power, were central to this research which had at its core the voices of marginalised women. At the stages of analysis and discussion the Lacanian model of the Real, the Symbolic and the Imaginary were used to explore the women’s accounts. This model has afforded new insights into this culturally sensitive topic by removing the focus from the women who sustained abuse to the nature of the abuse they endured. Semi-structured interviews were undertaken with nine women who were accessing women’s support services. The women spoke of the abuse they had endured during the course of a heterosexual, intimate relationship. Thematic analysis provided new perspectives regarding the interplay between sport fanaticism and domestic violence and abuse. This thesis extends existing research which has sought to interrogate the association between domestic violence and sporting events (mainly team combat sports). The significance of this study is that it confers deeper, richer understandings regarding the nature of domestic violence and abuse. It reveals how the perpetrators of abuse use violence and/or coercive and controlling behaviours around their sporting interests as a means of asserting power and subjugating their partners. The study is important in that it discloses how the perpetrators perceived some sports, especially football, as preserve which promoted male supremacy. It suggests avenues for further research and reflects upon the cultural significance of sport and team combat sport in particular. The study concludes by suggesting two key points which emerge from this study which underscore the pernicious, chronic and shifting nature of DVA and highlight the need for vigilance in responding to the cultural resources liable to be exploited by perpetrators of abuse.
    • Challenging the rules of engagement: Co-creation of knowledge in the public art museum

      Adams, Jeff; Riding, Deborah (University of Chester, 2017-07)
      This research examined perceptions of knowledge about art in the gallery and explored the potential of co-creation as a possible model with which to genuinely learn with our audience. Data for the study was generated at a gallery I have been based at throughout the period of undertaking the research. Participants were recruited from this gallery from groups implicated in knowledge co-creation: educators, curators, gallery assistants and audience members. Participants took part in a group workshop at the gallery facilitated by an artist educator, designed to provide opportunities to develop new knowledge together. Following the workshop, participants were interviewed and their experiences analysed. Other data generated through the workshop, as well as analysis of organisational documentation, and reflection on my own practice as a gallery educator, have been drawn together through a bricolage approach. Through analysis of data, I have constructed a situated taxonomy of knowledge types in the gallery and a conceptual model of co-creation. Key paradigms of knowledge have been identified, and the issues associated with the authoritative nature of institutional knowledge presented as a significant barrier to co-creation. Findings indicate that a fundamental shift in the epistemological stance of the gallery is required. A new not-knowing paradigm has been constructed to accommodate models of co-creation shown to be successful in generating a collaborative learning experience, which I have termed ‘learning-with’.The material being presented for examination is my own work and has not been submitted for an award of this or another HEI except in minor particulars which are explicitly noted in the body of the thesis. Where research pertaining to the thesis was undertaken collaboratively, the nature and extent of my individual contribution has been made explicit.
    • Referral to Occupational Health: A Foucauldian discourse analysis of statutory documents and student nurses’ perceptions

      Massey, Alan (University of Chester, 2015-11)
      This study was carried out using a Foucauldian discourse analysis and involved the examination of three statutory reports into the provision of occupational health in the workplace. The reports analysed were the Report of the Select Committee on the Bill for the Regulation of Factories (1832); the Safety and Health at Work Report (1972); and Working for a Healthier Tomorrow (2008). Additionally, analysis was carried out on oral events with nursing students, which sought to understand their perceptions of referral to occupational health. The objective of this study is to explore how referral is constructed through discourse, categorising how this practice is constrained or liberated by specific discourses and how nursing students are positioned by these discourses. My study highlights both structural and subjective barriers to the use of occupational health. At the structural level, it is observed that referral to occupational health commenced as a form of governmentality, introducing dividing practices which subjected the workforce to forms of classification and surveillance. For those classified as healthy a culture developed within workplaces in which health behaviours needed to comply with the standards set down by occupational health and by the risk management approach. Risk management processes and stigmatisation are used to ensure compliance with the state’s wishes for a healthy and productive workforce. This trend is seen across the reports analysed, and is increased within the Black Report to the surveillance of health both in and out of the workplace for those of a working age. Subjectively, occupational health was identified as a disciplining and subjugating structure by the nursing students. The students evidenced notions of Cartesian duality in their discussions of the outcomes of referral, as they readily accepted surveillance of the body whilst seeking to avoid surveillance of their mental health capabilities. Through observation of architectural signs and organisational images of discourse, students categorised occupational health as an instrument of the higher education institute and not as a form of holistic health support. The research highlights how occupational health acts as a barrier to the students’ fulfilling their societal roles as good students and good nurses. The research also highlights a desire on the part of the student nurses to utilise occupational health within a public health framework which addresses their health in a preventative rather than punitive manner.
    • Student Nurses’ Perceptions of Compassion

      Adams, Jeff; Atherton, Frances; Barton, Janet (University of Chester, 2016-04-30)
      Compassion has been associated with the nursing profession since the days of Florence Nightingale. It is a general expectation that nurses should be compassionate when they are caring for people. In the United Kingdom (UK) concerns have been raised recently that nurses are failing to be compassionate as they carry out their nursing duties. There is little evidence within the literature of how student nurses perceive compassion as they engage in the pre-registration-nursing programme. In this study, I use narrative to produce case studies as a vehicle for the students to voice their perceptions of compassion. My ethnographic analysis of their stories is framed by my own experience as a professional registered nurse and nurse educator situated within their learning environment, and applies theories of compassion and learning. In my study, themes emerge that demonstrate commonalities, differences and tensions relating to the students’ individual beliefs and behaviours, and to the impact of their professional development as they transcend from university learning spaces into clinical practice.
    • Understanding ‘belonging’ among undergraduate residential students: A Lacanian perspective

      Garratt, Dean; Moran, Paul; Hughes, Delyth Ann (University of Chester, 2016-03-31)
      This thesis seeks to understand how the notion of belonging is experienced by undergraduate residential students. Framing the research against the influence of neo-liberal policy and practices, this study employs a phenomenological approach and theorises the data using a poststructural framework. Throughout the thesis aspects of Lacanian theory are utilised as an interpretive lens, chosen for its ability to reveal that which is usually concealed. Beginning with an exploration of the reasons that ‘belonging to a university community’ is of interest to higher education student support practitioners, I conclude that this is a result of the therapeutic culture we are currently experiencing in education, along with a need to bring together a heterogeneous group of students who do not seemingly ‘belong’ together. This need comes from a desire to maintain higher education in its position as an elite pursuit which guarantees a better life. Yet paradoxically, in the current economic context, the achievement of a degree qualification can no longer guarantee a better life. Notions of belonging and community are therefore argued to be important in this context, as they serve to retain students and meet government objectives (which are to increase the number of students in higher education, thus sustaining the UK’s edge in a competitive global market). The data from nine participant interviews is analysed and interpreted through a poststructural lens. A poststructural framework is chosen based on my own experiences as a practitioner in this field: that our student support interventions which aim to engender a sense of belonging and community in students are somewhat flawed. Thus, my aim in this thesis is to understand from the students themselves how they experience belonging and community, and in doing so, understand if our University practices have had a part to play in this. Data from participant interviews reveals the themes of ‘stories, memories and rituals’, ‘place and home’ and ‘social networks’ and these are analysed with specific reference to Lacanian psychoanalysis, along with other theorists where relevant. Lacan is chosen as aspects of his theory allow me to take account of unconscious human drives, therefore revealing more than language can alone, and providing a more holistic understanding of how the phenomena are experienced. This thesis concludes with a phenomenological description of belonging, which is a pastiche of my participants’ voices. From this I draw the conclusion that the notion of ‘belonging to a university community’ is largely fictive, and symptomatic of a neo-liberal influence. I contend that experiences related to me by the participants suggest that ‘belonging’ is experienced in a way which is independent of any university interventions, and that ‘community’ is not recognised by students as anything other than a familiarity with their surroundings. I end the thesis with recommendations for student support practitioners and with a reflection on my research journey.
    • Premature labour? A reflexive appraisal of one young teacher’s journey into first time motherhood and her return to teaching.

      Adams, Jeff; Devarakonda, Chandrika; McCarthy, Elaine P. (University of Chester, 2016-02-28)
      This Ethnographic/Autoethnographic study reflects in rich detail a young teacher’s life as she navigates the changing landscape of her first pregnancy, the birth of her child and her subsequent return to work as a full-time teacher. Using data which has been collected from a personal journal which she kept throughout the eighteen month period of the study, it examines the practical and emotional challenges which she faced, and the commitment, self-sacrifice and dedication required of her for the continuation and advancement of her career. By combining her data with observed field notes, semi-constructed interviews and reflexive narrative, I have been able to offer a holistic and balanced account of her experience and expose the complexities of motherhood today and the impact they have on a woman’s life choices and professional decision making. My study revealed how this new mother faced a myriad of decisions and dilemmas, decisions, which ultimately impacted on her emotional well-being, and her power and identity as a woman, a wife, a daughter and a professional teacher. Its findings suggest that notwithstanding the historical political and legislative policies which have been implemented, in reality, little has changed since my own experience of being a working mother some thirty years ago. It recommends that if the increase in working mothers is to continue to rise, more must be done, both culturally and institutionally to alleviate the physical and emotional pressures which currently only serve to exacerbate the guilt and stress which appear to be an innate characteristic of the maternal condition. It concludes by recommending that working mothers need to harness “their strengths, their ability to learn, their confidence and joy in their work –[because this is] all part of being a woman now, [it is] part of [their] female identity” (Friedan, 1963, p.331), and rather than accepting motherhood as being a moderating factor, they should allow it to become an influence for further personal and professional growth and liberation, so that they can reassert their power and fight back to assume their equal place in society (Kristeva, 2015).
    • An exploration of ‘child voice’ and its use in care planning: an ethnographic study with a looked after child

      Bacon, Johanna (University of Chester, 2015-05)
      This thesis uses an ethnographic study to interrogate the policy discourse of capturing ‘child voice’ specifically in relation to a ‘looked after’ child. In recent years, attempts have been made to involve children who are ‘looked after’ in discussions and decisions about their care arrangements to ensure that their voice is heard. To ensure this happens, children ‘in care’ are asked about their care placement regularly as part of the care planning review process and their views are incorporated into decisions about their care plan. This study focuses on the lived experiences of a seven-year old female child, who I have referred to as ‘Keeva’, who is ‘in care’ under a Kinship Care arrangement. Over a period of a year, I was based in Keeva’s home one afternoon a week to gain insights about her lived experience as a ‘looked after’ child and how she represented herself. I also observed three care planning review meetings to see how her voice was captured by those charged with her care and how she was represented. I relate Keeva’s experience through seven narrative episodes to capture the rich complexity of the social world she inhabits. I explore aspects of her home and family, her interactions with others and her experience of exploring physical spaces both inside and outside the home. I suggest that these experiences underpin her sense of self and how she relates to others. Drawing on the ideas of Bourdieu, I suggest these experiences and her sense of place in the social order write themselves ‘onto her’ through her habitus and dispositions. Using a Foucauldian lens, I problematise the notion of voice as I contest that the child I observed engaged fully in the statutory processes that surround her. I suggest Keeva, a child who is ‘looked after’, will neither have nor feel she has the agentive properties to influence the care planning process. Instead, as her voice is irrevocably bound up in a bureaucratic process that is uncritically accepted as representative of her, she is obscured as a consequence. I also examine the multivocity in representations of Keeva highlighting the competing discourses of safeguarding, child protection and the ’rights-based’ agenda. I conclude that Keeva was not well represented in care planning reviews and had very little influence in decision-making about her care plan. Despite believing the opposite, those charged with her care failed to hear her or take note of what she said. Furthermore, there was an absence of criticality in representations of Keeva allowing Keeva to be constructed by those professionals involved with her care, in an unchallenged way. As a consequence she was silenced and less visible than the process itself.
    • Learning to teach mathematics: navigating the landscape of teacher education

      Bamber, Sally (University of Chester, 2015-07)
      Metaphor provides a potentially powerful rhetorical device to help me to tell informed and persuasive stories about mathematics education. In this ethnographic study I consider key episodes that serve to exemplify the complex experience of Initial Teacher Education (ITE) students of secondary mathematics education. I use a narrative analysis to shine a spotlight on the experiences of six beginning teachers so that the metaphors in their stories expose the impact that separately situated sites of teacher education have upon their beliefs and behaviour as teachers. Tensions between school and university contributors to teacher education have been well documented over many decades, but recent policy changes in the nature of post-graduate ITE in England bring these issues to the fore. In this study, I consider the influences of school-based and university-based teacher educators upon the beliefs of student secondary mathematics teachers and interpret the students’ perceptions of these influences on their actions as novice teachers. My analysis is framed by a model of experience and education articulated by Dewey as well as a framework of representations of knowledge in a culture of education articulated by theorists concerned with the relevance of constructivism and situated cognition as theories of learning. In this study, disturbances and discontinuities relating to the location and culture of ITE, together with the development of ITE students’ professional knowledge are uncovered, warranting further research.
    • Understanding Creativity and Alienation in Language Teacher Education: a critical ethnographic study

      Hulse, Bethan (University of Chester, 2015-02)
      This research explores the processes of learning to teach Modern Languages (MLs) in the rapidly changing landscape of teacher education. It employs a postmodern critical ethnographic methodology (Lather, 1991) to examine the experiences of a group of student teachers and me, as their tutor, over the course of a one year PGCE programme. The focus is on how experiences in University and in School shape their emerging professional identities, in particular how these experiences encourage or discourage the development of a creative approach to the practice of language teaching. There is evidence which suggests that ML teaching is often mundane and does not inspire young people to study Languages (The Office for Standards in Education (Ofsted), 2011). However, the pressures of ‘performative’ requirements which privilege that which is measurable (Ball, 2003) act as a discouragement to creativity. This thesis finds that whilst student teachers express a desire to be more creative, they find it difficult to implement their ideas in School. I draw on postmodern interpretations of Marx and Freud to problematize the notion of ‘professional autonomy’ and to argue that the early formation of professional identity is a process of acquiescence to oppressive external structures over which individuals have no control, resulting in the alienation of the individual from the work they do. I also explore questions concerning the nature of subjectivity and the relationship between the individual and the external world through Romantic philosophy and poetry. As both subject and object of this ethnographic study, I employ a reflexive methodology to explore the evolution of my own professional identity. The critical narrative emerges from the data, which reveals how professional identities are simultaneously constructed and alienated.
    • The international movement of ideas and practices in education and social policy

      Ford, Neville J.; Hulme, Robert I. (University of ChesterUniversity of Chester, 2011-08)
      This thesis comprises eight publications produced between 2000 and 2009 in addition to a critical review of that work. The review considers the contribution made by the author to the perspectives on policy making offered by the framework of policy transfer and its subsequent applications within global social policy and related sub disciplines. It develops to explore the author's use of critical policy sociology and methodological work in social policy, education and political science in order to enhance existing perspectives on policy transfer. In contrast to rational linear models of decision making, alternative recursive deliberate approaches are suggested throughout this work. The review also considers aspects of the author's work on integrated working or trans-professionalism in the public services. Those aspects of his work on policy theory which illuminate professional learning are critically assessed.