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    Island of the assassins: Cannabis, spectacle, and terror in Alex Garland's The beach

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    Authors
    Stephenson, William
    Affiliation
    University College Chester
    Publication Date
    2005-06
    
    Metadata
    Show full item record
    Abstract
    This article discusses the use of the cannabis, spectacle, and terror in Alex Garland's novel, The Beach. The author argues that Garland's novel is a most contemporary text, exposing disturbing contradictions in the West's current ideology and behavior.
    Citation
    Critique: Studies in Contemporary Fiction, 2005, 46(4), pp. 369-381
    Publisher
    Taylor & Francis
    Journal
    Critique: Studies in Contemporary Fiction
    URI
    http://hdl.handle.net/10034/226653
    DOI
    10.3200/CRIT.46.4.369-381
    Additional Links
    http://www.tandf.co.uk/journals/titles/00111619.asp
    Type
    Article
    Language
    en
    Description
    This article is not available through ChesterRep.
    ISSN
    0011-1619
    Sponsors
    This article was submitted to the RAE2008 for the University of Chester - English Language & Literature.
    ae974a485f413a2113503eed53cd6c53
    10.3200/CRIT.46.4.369-381
    Scopus Count
    Collections
    English

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