Show simple item record

dc.contributor.authorBlair, Peter*
dc.date.accessioned2012-05-29T08:03:36Z
dc.date.available2012-05-29T08:03:36Z
dc.date.issued2003
dc.identifier.citationMFS Modern Fiction Studies, 2003, 49(3), pp. 581-613en_GB
dc.identifier.issn1080-658X
dc.identifier.doi10.1353/mfs.2003.0045
dc.identifier.urihttp://hdl.handle.net/10034/226332
dc.descriptionThis article is not available through ChesterRep.en_GB
dc.description.abstractThis article discusses the role of miscegenation in the elaboration of racial identity in South Africa before 1948. Links and limitations between miscegenation and race change in South African English novels of this period, particularly Sarah Gertrude Millin's "God's step-children" are explored.
dc.description.sponsorshipThis article was submitted to the RAE2008 for the University of Chester - English Language & Literature.en_GB
dc.language.isoenen
dc.publisherJohn Hopkins University Pressen_GB
dc.relation.urlhttp://www.press.jhu.edu/journals/modern_fiction_studies/en_GB
dc.rightsArchived with thanks to MFS Modern Fiction Studiesen_GB
dc.subjectnovelen_GB
dc.subjectSouth Africaen_GB
dc.titleThat "ugly word": Miscegenation and the novel in preapartheid South Africaen
dc.typeArticleen
dc.contributor.departmentChester College of Higher Educationen_GB
dc.identifier.journalMFS Modern Fiction Studiesen_GB
html.description.abstractThis article discusses the role of miscegenation in the elaboration of racial identity in South Africa before 1948. Links and limitations between miscegenation and race change in South African English novels of this period, particularly Sarah Gertrude Millin's "God's step-children" are explored.


This item appears in the following Collection(s)

Show simple item record