'The amazing cinematograph': Cinema and illusion in Francis Ford Coppola's Bram Stoker's 'Dracula'
AuthorsFoster, Paul G.
AffiliationUniversity of Chester
MetadataShow full item record
AbstractThis chapter considers the use of special effects designed to reflect the style of early cinema in the Francis Ford Coppola film version of Dracula.
CitationIn B. Barker (Ed.), Textual revisions: Reading literature and film (pp. 58-82). Chester: Chester Academic Press, 2009
PublisherChester Academic Press
DescriptionThis book is not available through ChesterRep.
The following license files are associated with this item: