AbstractThis article, originally delivered at the Body memory in performance conference at Lancaster University in August 1995, discusses some of the observed phenomena in rehearsal processes towards the performance of the damaged and dismembered bodies that inhabit Caryl Churchill and David Lan's A mouthful of birds (Methuen, 1986) and Timberlake Wertenbaker's The love of the nightgale (Faber & Faber, 1989).
CitationPerformance practice, 2, 1996, pp. 21-34
DescriptionThis is a PDF version of an article published in Performance practice © Kate Smith/Chester College 1996.
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