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Adaptations: Moby Dick Performance Research ProjectAdaptations: Moby Dick is a performance research project, consisting of a script, stage production, and site-sensitive performance. The adaptation was commissioned for the International Cornerstone Arts Festival (2017). In-kind funding was provided by the Tall Ship Zebu for a site- sensitive performance for the River Festival, Liverpool (2019). There were two interconnected stages to the project, underpinned by three research questions: 1. How do we re-imagine character within ensemble-led practice? 2. How does dramatic time differ from narrative time? 3. What is the relationship between the source text and adapted iterations? The first stage of the project led to a fully realised stage production, shown in Liverpool and Chester (2017). A further iteration of the adaptation was performed on the Tall Ship Zebu, Liverpool (2019). Following this performance, the project considered the impact of site as cultural memory, disseminated through conference papers.
Moby Dick Production Video TrailerMoby Dick Stage Adaptation Written by Herman Melville Produced by Shelley Piasecka and Simon Piasecki At the end of the 19th century a New York customs inspector and writer died in relative obscurity. His name was Herman Melville and he would later come to be regarded as a literary giant, equal in stature to Mark Twain, John Steinbeck and Jack London. Melville published numerous books in his lifetime but is best known for Moby Dick, a story of a young schoolmaster aboard the ill-fated voyage of the Pequod, a Nantucket whaling ship. Melville had experienced whaling himself and also spent some time in Liverpool, whilst travelling the oceans. Here, Melville’s classic is brought to life in a fast moving and thrilling stage adaptation. It is a timeless story that pits man against the forces of nature itself. How far will a man go to satisfy a vengeful obsession?