Neither the One nor the Other: Photographic Errors - Subjectivity, Subversion and the In-between

Hdl Handle:
http://hdl.handle.net/10034/620847
Title:
Neither the One nor the Other: Photographic Errors - Subjectivity, Subversion and the In-between
Authors:
Piper-Wright, Tracy
Abstract:
The photographic error opens up a paradoxical space between machine and human and presents this space as a gap in the conventions of photographic practice both technologically and culturally. By undermining the certainty which attaches to our use of technology the error opens us to the possibility of playing with and against the technology we use, subverting the rules in order to create something new. In the third dimension of the error we are able to question the photographic practices and images which we are surrounded with daily. We can ask what purpose and meaning photography has to us: what are we trying to do when we take a photograph?
Affiliation:
University of Chester
Citation:
Piper-Wright, T. (2018-forthcoming). Neither the One nor the Other: Photographic Errors - Subjectivity, Subversion and the In-between. MAI Feminism and Visual Culture, 1(1).
Publisher:
MAI
Journal:
MAI Feminism and Visual Culture
Publication Date:
28-Feb-2018
URI:
http://hdl.handle.net/10034/620847
Additional Links:
https://maifeminism.com/
Type:
Article
Language:
en
Appears in Collections:
Art and Design

Full metadata record

DC FieldValue Language
dc.contributor.authorPiper-Wright, Tracyen
dc.date.accessioned2018-01-31T16:13:39Z-
dc.date.available2018-01-31T16:13:39Z-
dc.date.issued2018-02-28-
dc.identifier.citationPiper-Wright, T. (2018-forthcoming). Neither the One nor the Other: Photographic Errors - Subjectivity, Subversion and the In-between. MAI Feminism and Visual Culture, 1(1).en
dc.identifier.otherNA-
dc.identifier.urihttp://hdl.handle.net/10034/620847-
dc.description.abstractThe photographic error opens up a paradoxical space between machine and human and presents this space as a gap in the conventions of photographic practice both technologically and culturally. By undermining the certainty which attaches to our use of technology the error opens us to the possibility of playing with and against the technology we use, subverting the rules in order to create something new. In the third dimension of the error we are able to question the photographic practices and images which we are surrounded with daily. We can ask what purpose and meaning photography has to us: what are we trying to do when we take a photograph?en
dc.language.isoenen
dc.publisherMAIen
dc.relation.urlhttps://maifeminism.com/en
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/en
dc.subjectphotographyen
dc.subjecterroren
dc.subjectCultureen
dc.subjectpracticeen
dc.subjectpractice as researchen
dc.subjectEthnographyen
dc.subjectvisual cultureen
dc.subjectfeminist theoryen
dc.subjecttechnologyen
dc.titleNeither the One nor the Other: Photographic Errors - Subjectivity, Subversion and the In-betweenen
dc.typeArticleen
dc.contributor.departmentUniversity of Chesteren
dc.identifier.journalMAI Feminism and Visual Cultureen
dc.date.accepted2018-01-16-
or.grant.openaccessYesen
rioxxterms.funderunfundeden
rioxxterms.identifier.projectunfundeden
rioxxterms.versionAMen
rioxxterms.licenseref.startdate2018-02-28-
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