Reinstating Touch in the Documentary Photobook

Hdl Handle:
http://hdl.handle.net/10034/620459
Title:
Reinstating Touch in the Documentary Photobook
Authors:
Daly, Tim
Abstract:
Collections of photographs by photographers are rarely envisioned in the book form, but instead use the medium solely as an alternative distribution channel. In addition, most critically respected photographic publications are rightly perceived as surrogates for the gallery print; for the history of photography has fetishised the experience of viewing an original above all else. I propose that authored documentary photography books can become super-sensory works, documents of participation, intervention and touch.
Affiliation:
University of Chester
Citation:
Daly, T. (2012). Reinstating touch in the documentary photobook. In T. Wilkie, J. Carson, & R. Miller (Eds.), Photography and the Artist's Book (pp 272-295). Boston: Museums Etc.
Publisher:
Museums Etc.
Publication Date:
22-Jul-2012
URI:
http://hdl.handle.net/10034/620459
Additional Links:
http://museumsetc.com/products/artists
Type:
Book chapter
Language:
en
ISBN:
9781907697500
Appears in Collections:
Art and Design

Full metadata record

DC FieldValue Language
dc.contributor.authorDaly, Timen
dc.date.accessioned2017-03-31T09:44:51Z-
dc.date.available2017-03-31T09:44:51Z-
dc.date.issued2012-07-22-
dc.identifier.citationDaly, T. (2012). Reinstating touch in the documentary photobook. In T. Wilkie, J. Carson, & R. Miller (Eds.), Photography and the Artist's Book (pp 272-295). Boston: Museums Etc.en
dc.identifier.isbn9781907697500-
dc.identifier.urihttp://hdl.handle.net/10034/620459-
dc.description.abstractCollections of photographs by photographers are rarely envisioned in the book form, but instead use the medium solely as an alternative distribution channel. In addition, most critically respected photographic publications are rightly perceived as surrogates for the gallery print; for the history of photography has fetishised the experience of viewing an original above all else. I propose that authored documentary photography books can become super-sensory works, documents of participation, intervention and touch.en
dc.language.isoenen
dc.publisherMuseums Etc.en
dc.relation.urlhttp://museumsetc.com/products/artistsen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/en
dc.subjectphotographyen
dc.subjectmaterial cultureen
dc.subjectartist booken
dc.subjecttouchen
dc.titleReinstating Touch in the Documentary Photobooken
dc.typeBook chapteren
dc.contributor.departmentUniversity of Chesteren
dc.date.accepted2012-01-20-
or.grant.openaccessYesen
rioxxterms.funderunfundeden
rioxxterms.identifier.projectunfundeden
rioxxterms.versionAMen
rioxxterms.licenseref.startdate2212-07-22-
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