Hdl Handle:
http://hdl.handle.net/10034/620442
Title:
The Intermittent Image
Authors:
Piper-Wright, Tracy
Abstract:
Errors can occur in all photographic practice but the technology and culture of digital photography reduce opportunities for mistakes and the likelihood of any being retained or published. This has led to the removal of error from the prevailing image culture with the consequent foregrounding of accuracy and resemblance in relation to everyday photography practice. Error images disrupt the conventions of photographic representation and in so doing present an alternate conception of photography as emergent, processual and performative. The error image exposes photography as a human and technological ‘act’ and presents the viewer with a transformative visual experience which has aesthetic interest and value.
Affiliation:
University of Chester
Citation:
Piper-Wright, T. (2016). The interimittent image. In Ana Moutinho, et al (eds.) Post-screen: Intermittence + Interference (pp. 76-85) Lisboa: CIEBA-FBAUL and Edições Universitárias Lusófonas.
Publisher:
CIEBA-FBAUL and Edições Universitárias Lusófonas
Publication Date:
18-Nov-2016
URI:
http://hdl.handle.net/10034/620442
Type:
Book chapter
Language:
en
Description:
A version of this paper was presented at Post Screen: Intermittence+Interference conference, part of the International Festival of Art, New Media and Cybercultures, at Universidade Lusófona de Humanidades e Tecnologias, Lisbon, 17-18th November 2016
ISBN:
9789898771568
Appears in Collections:
Art and Design

Full metadata record

DC FieldValue Language
dc.contributor.authorPiper-Wright, Tracyen
dc.date.accessioned2017-03-17T10:33:28Z-
dc.date.available2017-03-17T10:33:28Z-
dc.date.issued2016-11-18-
dc.identifier.citationPiper-Wright, T. (2016). The interimittent image. In Ana Moutinho, et al (eds.) Post-screen: Intermittence + Interference (pp. 76-85) Lisboa: CIEBA-FBAUL and Edições Universitárias Lusófonas.en
dc.identifier.isbn9789898771568-
dc.identifier.urihttp://hdl.handle.net/10034/620442-
dc.descriptionA version of this paper was presented at Post Screen: Intermittence+Interference conference, part of the International Festival of Art, New Media and Cybercultures, at Universidade Lusófona de Humanidades e Tecnologias, Lisbon, 17-18th November 2016en
dc.description.abstractErrors can occur in all photographic practice but the technology and culture of digital photography reduce opportunities for mistakes and the likelihood of any being retained or published. This has led to the removal of error from the prevailing image culture with the consequent foregrounding of accuracy and resemblance in relation to everyday photography practice. Error images disrupt the conventions of photographic representation and in so doing present an alternate conception of photography as emergent, processual and performative. The error image exposes photography as a human and technological ‘act’ and presents the viewer with a transformative visual experience which has aesthetic interest and value.en
dc.language.isoenen
dc.publisherCIEBA-FBAUL and Edições Universitárias Lusófonasen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/en
dc.subjectdigtalen
dc.subjectPhotographyen
dc.subjecterroren
dc.subjectaestheticsen
dc.titleThe Intermittent Imageen
dc.typeBook chapteren
dc.contributor.departmentUniversity of Chesteren
dc.date.accepted2016-06-21-
or.grant.openaccessYesen
rioxxterms.funderUniversity of Chesteren
rioxxterms.identifier.projectQR Grant, 2016, Piper-Wrighten
rioxxterms.versionAMen
rioxxterms.licenseref.startdate2216-11-18-
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