Search:
Browse
Collection All
bullet
bullet
bullet
bullet
bullet
Listed communities
bullet
bullet
bullet
bullet
bullet
bullet

University of Chester Digital Repository > Academic Faculties > Faculty of Humanities > English > MPhil / PhD Theses and Masters Dissertations > The country in the writings of Elizabeth Gaskell

Please use this identifier to cite or link to this item: http://hdl.handle.net/10034/123107
    Del.icio.us     LinkedIn     Citeulike     Connotea     Facebook     Stumble it!



Title: The country in the writings of Elizabeth Gaskell
Authors: Best, Aline Mary
Advisors: Billington, Josie
Wynne, Deborah
Publisher: University of Liverpool (University College Chester)
Issue Date: Sep-2004
URI: http://hdl.handle.net/10034/123107
Abstract: The country is an element within all the writings of Elizabeth Gaskell, in her letters, short stories and novels, even the 'condition-of-England' novels set within the city, and The Life of Charlotte Bronte. Yet, it is an aspect of her writing which has suffered from relative critical neglect. It is, therefore, an interesting and appropriate choice of subject for a dissertation for the M.A. in Literary Studies: 'The Country and the City'. The Introduction, after indicating the significance of Gaskell's letters in relation to the country, gives reasons for the selection of the short stories as the basis of the study of Gaskell's depiction of the country, together with the novel, Sylvia's Lovers, which is closest in stance and technique to the portrayal of country life in the short stories and also offers an interesting contrast between life in the country and the town. Reference is also made to other texts wherever appropriate. The study is essentially text-based, as a means of examining in depth Gaskell's subtlety as a writer. The chapter, 'The Country in the Letters', explores the extent to which Gaskell's letters reveal her lifelong love of the countryside and empathy with country people, as well as indicating early literary influences and evidencing many of the techniques found in her fictional writing. The next chapter, 'The Country in the Short Stories', after discussing the influence of Wordsworth, considers the element of social history within Gaskell's fictionalisation, before turning to the significance of the countryside as setting, the inherent characteristics of country people and realist techniques. The following chapter, 'The Country and the Town in Sylvia's Lovers' after treating the background to the work and certain key elements, analyses Gaskell's use of the country setting, her depiction of the principal country characters and her realist techniques, before considering the contrast between country and town, particularly in relation to Sylvia Robson's life after her marriage. The final chapter, 'The Country in the Writings of Elizabeth Gaskell: an Overview', summarises the significance of the portrayal of the country in the works studied in detail, while touching upon the difference in perspective in North and South and Wives and Daughters. The chapter concludes that: 'through the breadth of her picture, the acuity of her observation and her engagement, Gaskell's depiction of the countryside and country people is unique in nineteenth century English literature'.
Type: Thesis or dissertation
Language: en
Keywords: Elizabeth Gaskell
countryside
Victorian fiction
Appears in Collections: MPhil / PhD Theses and Masters Dissertations

Files in This Item:
File Description Size Format View/Open
aline mary best.pdfmain dissertation332KbAdobe PDFThumbnail
View/Open

This item is licensed under a Creative Commons License
Creative Commons

All Items in ChesterRep are protected by copyright, with all rights reserved, unless otherwise indicated.